<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-6391377</id><updated>2012-01-29T12:33:03.435-06:00</updated><category term='Typescript of a poem by Hilda Morley'/><title type='text'>Entropy and me</title><subtitle type='html'>"Entropy and me" is concerned with
poetry, music, and various other matters
depending on whim and wind direction</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default?start-index=101&amp;max-results=100'/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>218</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-6391377.post-6424347269701999679</id><published>2011-10-27T11:02:00.001-05:00</published><updated>2011-10-27T11:08:46.574-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"One night after class I spoke to Dr. Fromm. I asked him to recommend an analyst, hoping he would take me himself. But he didn't; he sent me instead to Ernest Schachtel, who taught a course in Rorschach interpretation at the New School.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;"Dr. Schachtel looked like Paul Klee--or at least like a photograph I had seen of him. It pleased me to imagine that I was about to be analyzed by Paul Klee. Schachtel was thin, well-dressed, delicate-looking, almost nervous. He impressed me as the sort of man who read Schiller, Heine, and Kleist, who listened to Schubert and Mahler. His expression was melancholy and I supposed he had suffered during the war. What was it like, I wondered, to leave your own country for another, where all you met was the unhappiness and confusion of the people who lived there? Suppose when Americans went to Paris or Florence, the waiters, hotel clerks, and taxi drivers told them their dreams, their fears and nameless angers.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;"In Dr. Schachtel's apartment on the Upper West Side, there was just a touch of Bauhaus. His furniture was light, almost fragile, and it occurred to me that when Germans weren't heavy they were often fragile. Like Fromm and Horney, he was a revisionist, and that was what I wanted, to be revised. I saw myself as a first draft."&lt;/div&gt;&lt;br /&gt;--Anatole Broyard&lt;br /&gt;fr. &lt;i&gt;Kafka Was the Rage: A Greenwich Village Memoir&lt;/i&gt;&lt;br /&gt;[New York: Random House, 1993]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6424347269701999679?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6424347269701999679/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6424347269701999679&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6424347269701999679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6424347269701999679'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/10/one-night-after-class-i-spoke-to-dr.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2420530317337365711</id><published>2011-10-16T11:44:00.001-05:00</published><updated>2011-10-16T11:44:48.897-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;Paragraphs from Stein, 15&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;"It is a puzzle why are german dogs all rather timid gentle friendly and obedient, they are that, the characteristic german dogs, it kind of cheers one up that some time they the people will be that because people and dogs must be alike in a country in which they are born and bred and have descended. There are the poodles, the dachshunds, even the dog which is a kind of bull, the Bismark dog is gentle and the german black police-dog is a much gentler animal than the Alsatian wolf hound, it is a funny thing this, being fond of poodles, and always having them I bother about all this. I thought poodles were french but the french breed always has to be refreshed by the german one, and the german pincher is so much more gentle than our Chichuachua little dog which it resembles, and so everything would be a puzzle if it were not certain that logic is right, and is stronger than the will of man. We will see."&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;fr. &lt;i&gt;Paris France &lt;/i&gt;&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;[New York: Liveright, 1970--first publ. in 1940]&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2420530317337365711?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2420530317337365711/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2420530317337365711&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2420530317337365711'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2420530317337365711'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/10/paragraphs-from-stein-15-it-is-puzzle.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7994399190861614680</id><published>2011-09-27T12:03:00.000-05:00</published><updated>2011-09-27T12:03:43.687-05:00</updated><title type='text'></title><content type='html'>&lt;b&gt;Paragraphs from Stein, 14&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Some know very well that their way of living is a sad one. Some know that their way of living is a dreary thing. Some know very well that their way of being living is a tedious one. Some know very well that they are living in a very dull way of living. Some do not know that a way of living is a tedious one. Some do not know that a way of living is a sad one. Some do not know that a way of living is a dreary way of living. Some do not know that one way of living is a dull one.&lt;/div&gt;&lt;br /&gt;fr. "Flirting at the Bon Marche"&lt;br /&gt;c. 1910-1912&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7994399190861614680?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7994399190861614680/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7994399190861614680&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7994399190861614680'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7994399190861614680'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/09/paragraphs-from-stein-14-some-know-very.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3360857940950204108</id><published>2011-09-17T11:12:00.000-05:00</published><updated>2011-09-17T11:12:57.874-05:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;Remains To Be Seen&lt;/i&gt;, &lt;i&gt;works old and new by Halvard Johnson&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;now ongoing and available in three volumes&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;a href="https://docs.google.com/document/d/1tII1LvsGmJpmLby_dyie77p3D2u2sAwcJL3TuW5T-nY/edit?hl=en_US"&gt;Vol I&lt;/a&gt;, &lt;a href="https://docs.google.com/document/d/198kwjOUuDuROG50BpMvKu_05auLcYh1Ce03rHqsSBNE/edit?hl=en_US"&gt;Vol. II&lt;/a&gt;, &lt;a href="https://docs.google.com/document/d/1JW0nJh3tEtKzCu4hya0mYSU04EA0sz6hRM90eTgzhyw/edit?hl=en_US"&gt;Vol. III&lt;/a&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3360857940950204108?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3360857940950204108/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3360857940950204108&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3360857940950204108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3360857940950204108'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/09/remains-to-be-seen-works-old-and-new-by.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6983252548265211308</id><published>2011-08-09T11:35:00.000-05:00</published><updated>2011-08-09T11:35:15.960-05:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;Works in Progress, 52&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;cleaning up after Gustav, Hanna, Ike&lt;br /&gt;cleaning up after Bush, after Cheney&lt;br /&gt;rewriting the history of consciousness&lt;br /&gt;blurring the possibilities&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading&amp;nbsp;&lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;administering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;49.&lt;br /&gt;finding the photos of the old house&lt;br /&gt;rowing the boat ashore&lt;br /&gt;thinking things through again&lt;br /&gt;keeping the guard up&lt;br /&gt;&lt;br /&gt;50.&lt;br /&gt;parsing the genome&lt;br /&gt;flinging sweets down the staircase&lt;br /&gt;exhaling only when necessary&lt;br /&gt;tearing myself away&lt;br /&gt;&lt;br /&gt;51.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;parsing the genome&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;fleshing out the diagram&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;refilling the lungs, yet again&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;reacquainting ourselves&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;52.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;getting the genie back&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;refreshing the screen&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;barking the dog&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;crying over spilled beans&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;53.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="background-color: #eeeecc; color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6983252548265211308?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6983252548265211308/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6983252548265211308&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6983252548265211308'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6983252548265211308'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/08/works-in-progress-52-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7962334168611858084</id><published>2011-06-30T13:28:00.000-05:00</published><updated>2011-06-30T13:28:20.046-05:00</updated><title type='text'></title><content type='html'>&lt;div style="background-color: transparent; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;b&gt;Paragraphs from Stein, 13&lt;/b&gt;&lt;/div&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;It is necessary to think about this question of calligraphy, it must never be forgotten that the only way Picasso has of speaking, the only way Picasso has of writing is with drawings and paintings. In 1914, and from then on it never stopped, he had a certain way of writing his thoughts, that is to say of seeing things in a way that he knew he was seeing them. And it was in this way that he commenced to write these thoughts with drawings and with painting. Oriental people, the people of America and the people of Spain have never, really never forgotten that it is not necessary to use letters in order to be able to write. Really one can write in another way and Picasso has understood, completely understood this way. To recapitulate. From 1914 to 1917, cubism changed to rather flat surfaces, it was no longer sculpture, it was writing, and Picasso really expressed himself this way, because it was not possible, really not, to really write with sculpture, no not.&lt;/div&gt;&lt;br /&gt;from "Picasso" (1938)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7962334168611858084?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7962334168611858084/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7962334168611858084&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7962334168611858084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7962334168611858084'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/06/paragraphs-from-stein-13-is-necessary.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2204976839204184674</id><published>2011-02-26T11:20:00.000-06:00</published><updated>2011-02-26T11:20:12.416-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #50&lt;br /&gt;&lt;br /&gt;inner eyes shattered&lt;br /&gt;glittering fragments&lt;br /&gt;to exorcise&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2204976839204184674?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2204976839204184674/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2204976839204184674&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2204976839204184674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2204976839204184674'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2011/02/poems-from-book-of-nanoseconds-50-inner.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4009371402507473613</id><published>2010-12-17T11:05:00.001-06:00</published><updated>2011-02-25T12:57:05.822-06:00</updated><title type='text'></title><content type='html'>"I suppose I'm what they call a decadent, one whose spirit is outwardly defined by those sad glimmers of artificial eccentricity that incarnate an anxious and artful soul in unusual words. Yes, I think that's what I am, and that I'm absurd. That's why, in the spirit of a classical writer, I try at least to place into an expressive mathematics the decorative sensations of my substituted soul. At a certain point in my written cogitation, I no longer know where the centre of my attention lies -- whether in the scattered sensations I attempt to describe like enigmatic tapestries, or in the words which absorb me as I try to describe the act f describing and which, absorbing me, distract me and cause me to see other things. Beset by lucid and free association of ideas, images and words, I say what I imagine I'm feeling as much as what I'm really feeling, and I'm unable to distinguish between the suggestions of my soul and the fruits born of images that fell from my soul to the ground, nor do I know whether the sound of a certain discordant word or the rhythm of an incidental phrase might not be diverting me from the already hazy point, from the already stowed sensation, thereby absolving me from thinking and saying, like long voyages designed to distract us. And all of this, which even as I'm telling it should stir in me a sense of futility, failure and anguish, gives me only wings of gold. As soon as I start talking about images, even if it's to say they should be used sparingly, images are born in me; as soon as I stand up from myself to repudiate something I don't feel, I start feeling that very thing, and even my repudiation becomes a feeling trimmed with embroidery; as soon as I want to abandon myself to the wind, having lost faith in my efforts, a placid phrase or a sober concrete adjective suddenly, like sunlight, makes me clearly see the dormantly written page before me, and the letters drawn in my ink are an absurd map of magic signs. And I lay myself aside like my pen, and wrap myself in the flowing cape of obliviously leaning back, far away, intermediate and submissive, doomed like a castaway drowning within sight of marvellous islands, engulfed by the same purplish seas that he had so truly dreamed in distant beds."&lt;br /&gt;&lt;br /&gt;--Fernando Pessoa&lt;br /&gt;tr. Richard Zenith&lt;br /&gt;&lt;br /&gt;# 387 fr. &lt;i&gt;The Book of Disquiet &lt;/i&gt;[Penguin Books, 2003]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4009371402507473613?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4009371402507473613/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4009371402507473613&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4009371402507473613'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4009371402507473613'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/12/i-suppose-im-what-they-call-decadent.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5056919389307451367</id><published>2010-11-18T11:00:00.000-06:00</published><updated>2010-11-18T11:00:27.430-06:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;35 Piano Etudes&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;for David Rakowski&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;1.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;On an otherwise empty stage, a grand piano stands with its lid fully open, the stool a few feet from the pedals. The pianist lid fully open, the stool a few feet from the pedals. The pianist enters, carrying a toy piano and scrunches under the body of the grand pianos with it, making him/herself as comfortable as possible.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The pianist, with a smile, acknowledges the audience and, using a white handkerchief, dusts off the keys of the toy piano. Then, he/she performs John Cage's 4'33" twice in succession. Between the two performances he or she may or may not improvise a brief statement explaining why the piece is being performed again.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;2.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The pianist approaches the piano cautiously, as though not knowing what it is. The lid is down, the keyboard is covered. The pianist taps various parts of the piano, testing its sounds.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Then with the briefest of glances at the audience he/she sits down on the stool, flips the tails of a tuxedo jacket he/she isn't wearing free of the stool, and, turning to the audience, announces he/she will play ___________.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;He/she proceeds to do so, without opening the keyboard. When the piece is over, he/she rises, bows to the audience and leaves the stage.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;3.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The pianist comes on stage carrying a leash, which he/she attaches to the&amp;nbsp;right-front leg of the piano. He/she then turns back toward&amp;nbsp;the door by which he/she entered and starts forward. If the piano,&amp;nbsp;like a recalitrant puppy, fails to move, the pianist drops the leash,&amp;nbsp;goes to the stage-door and waves onto the stage another pianist&amp;nbsp;who attaches a leash to the left-front leg of the piano. If the piano&amp;nbsp;again fails to move, a third pianist is enlisted to help . . . and then&amp;nbsp;a fourth, fifth, sixth, etc., if necessary, until the piano begins to move.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;When the piano is finally moving, the assembled pianists walk it once&amp;nbsp;in a circle around the stage. When at last it is back more or less in&amp;nbsp;its original position, then unleash it and, applauding politely, say,&amp;nbsp;"Good dog! Good boy!" Then, they pat its lid and file off the stage.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;4.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;At any point in an otherwise normal recital (though not at the very&amp;nbsp;beginning or end, or just before or after intermission), the pianist&amp;nbsp;invites all of the members of the audience who care to do so to file&amp;nbsp;onto the stage and play a single note on the piano. After all who&amp;nbsp;care to participate have done so, he or she applauds the audience&amp;nbsp;and invites its members to applaud themselves.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;5.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The formally dressed pianist comes on stage carrying a tool kit. He&amp;nbsp;or she, during the first half of the concert, disassembles the grand&amp;nbsp;piano while whistling tunes from various pieces by Chopin. Then,&amp;nbsp;after intermission, the pianist returns to the stage, bows, and proceeds,&amp;nbsp;in silence, to reassemble the piano. A piano-tuner then retunes the&amp;nbsp;piano, and, as an encore, the pianist performs Schumann's Toccata in C.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;6.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Six or more pianos (depending on space available) are wheeled on&amp;nbsp;stage and six (or more) pianists in gym togs and begin doing jumping&amp;nbsp;jacks and push-ups near each of the pianos. Each of the pianists in&amp;nbsp;turn stops exercising and plays a three- or four-minute etude of his or&amp;nbsp;her choice as the others continue their jumping jacks and push-ups.&amp;nbsp;When the last pianist has played and resumed exercising, the exercising&amp;nbsp;continues for another four or five minutes, after which the exercising&amp;nbsp;stops and the performers take their bows.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;7.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The soloist, struggling mightily, pushes his/her piano up a hill, perhaps&amp;nbsp;one of the lows hills surrounding the Hollywood Bowl. When, at the&amp;nbsp;crest of the hill, there is a moment's pause before the piano begins to&amp;nbsp;roll back down, the pianist is able to rest briefly and savor his/her&amp;nbsp;freedom, before trudging down to begin the task of pushing the piano&amp;nbsp;up the hill, yet again.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;8.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Two nanopianos are inserted into the Large Hadron Collider at the&amp;nbsp;CERN facility near the border of France and Switzerland. They are&amp;nbsp;fired, molto vivace, in opposite directions, and when they collide&amp;nbsp;the resultant tempi and fingerings are studied for any hints as to&amp;nbsp;how music first came into being.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;9.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Prepare to perform an evening of Beethoven piano sonatas, but on&amp;nbsp;a piano prepared for a performance of John Cage's Sonatas and Interludes.&amp;nbsp;(A piano prepared by Aleck Karis is recommended.) The choice of&amp;nbsp;Beethoven sonatas is yours.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;10.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Choosing individual movements from among the piano sonatas of Scriabin,&amp;nbsp;Beethoven, Prokofiev, Bach, Chopin, Haydn, and Mozart, prepare an evening&amp;nbsp;of piano sonatas. Rules: 1) three sonatas minimum, four maximum; 2) no composer&amp;nbsp;represented more than once in each sonata or more than three times in the program as&amp;nbsp;a whole.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;11.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The piano body, having been waterproofed, is filled with water, and then several varieties of fish are added. The more fish the better. Extremely sensitive underwater microphones (as many as possible) are suspended throughout the "tank." The sound is amplified by means of a rock concert-like array of speakers. The pianist plays a recital of his/her own choosing. Pieces having to do with water (e.g. Debussy, Ravel) are encouraged but not required. Large monitors enabling the audience to watch the fish as the recital proceeds would be a nice touch.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;12.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5056919389307451367?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5056919389307451367/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5056919389307451367&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5056919389307451367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5056919389307451367'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/11/35-piano-etudes-for-david-rakowski-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-9000696196647011384</id><published>2010-11-15T10:04:00.001-06:00</published><updated>2010-11-15T10:05:26.494-06:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;Works in Progress, 51&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;cleaning up after Gustav, Hanna, Ike&lt;br /&gt;cleaning up after Bush, after Cheney&lt;br /&gt;rewriting the history of consciousness&lt;br /&gt;blurring the possibilities&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading&amp;nbsp;&lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;administering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;49.&lt;br /&gt;finding the photos of the old house&lt;br /&gt;rowing the boat ashore&lt;br /&gt;thinking things through again&lt;br /&gt;keeping the guard up&lt;br /&gt;&lt;br /&gt;50.&lt;br /&gt;parsing the genome&lt;br /&gt;flinging sweets down the staircase&lt;br /&gt;exhaling only when necessary&lt;br /&gt;tearing myself away&lt;br /&gt;&lt;br /&gt;51.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;parsing the genome&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;fleshing out the diagram&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;refilling the lungs, yet again&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;reacquainting ourselves&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;52.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-9000696196647011384?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/9000696196647011384/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=9000696196647011384&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/9000696196647011384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/9000696196647011384'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/11/works-in-progress-51-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7230595405420844075</id><published>2010-11-15T09:54:00.000-06:00</published><updated>2010-11-15T09:54:55.797-06:00</updated><title type='text'></title><content type='html'>&lt;div style="background-color: transparent; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span id="internal-source-marker_0.03332284651696682" style="background-color: transparent; color: black; font-family: Garamond; font-size: 12pt; font-style: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;&lt;b&gt;Silenzio&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: transparent; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span class="Apple-style-span" style="font-family: Garamond;"&gt;&lt;span class="Apple-style-span" style="white-space: pre-wrap;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="background-color: transparent; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;span id="internal-source-marker_0.03332284651696682" style="background-color: transparent; color: black; font-family: Garamond; font-size: 12pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;Just before dawn, we splashed ashore.&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: transparent; color: black; font-family: Garamond; font-size: 12pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;No one there. Nothing awake.&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: transparent; color: black; font-family: Garamond; font-size: 12pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;Nothing there. No one&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: transparent; color: black; font-family: Garamond; font-size: 12pt; font-style: normal; font-weight: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"&gt;awake.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7230595405420844075?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7230595405420844075/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7230595405420844075&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7230595405420844075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7230595405420844075'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/11/silenzio-just-before-dawn-we-splashed.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7409050809262605755</id><published>2010-09-08T11:58:00.000-05:00</published><updated>2010-09-08T11:58:49.804-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"The fundamental thing in the Japanese character is a peculiar combination of poetry and humour, using both words in a wide and profound yet specific sense. 'Poetry' means the ability to see, to know by intuition what is interesting, what is really valuable in things and persons. More exactly it is the creating of interest, of value. 'Humour' means joyful, unsentimental pathos that arises from the paradox inherent in the nature of things. Poetry and humour are thus very close; we may say that they are two different aspects of the same thing. Poetry is &lt;i&gt;satori&lt;/i&gt;; it is seeing all things as good. Humour is laughing at all things; in Buddhist parlance, seeing that 'all things are empty in their self-nature' . . . and rejoicing in this truth."&lt;/div&gt;&lt;br /&gt;--R. H. Blythe, &lt;i&gt;Japanese Life and Character in Senryu&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7409050809262605755?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7409050809262605755/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7409050809262605755&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7409050809262605755'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7409050809262605755'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/09/fundamental-thing-in-japanese-character.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2217834768418359540</id><published>2010-06-14T23:24:00.000-05:00</published><updated>2010-06-14T23:24:04.401-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"Will you excuse me for my English which is not very clear, which has accent. I speak several languages, they all have accents. I can't help it. I'll tell you why. Because artists, we do not think with words. We work with forms, not with words. Musicians work with sounds, also not with words. So you forgive me about that, please. And besides, I must tell you that I have to speak sometimes about myself, and you forgive me that, too because &lt;i&gt;I &lt;/i&gt;saw her, &lt;i&gt;I&lt;/i&gt;&amp;nbsp;talked to her, and not to somebody else. And I don't want you to ask me any questions. My pet hate is questions and you understand why, because I come here as a friend. And it's all about private life, about our relations and friendship, and it is not at all a subject of public discussion. I'll tell to you what I want to tell, and I will not tell you what I don't want to tell. So would Gertrude Stein, you will not get out of her anything what she wouldn't like to tell you. There is an enigma in every relation, and in every friendship, and in every reverence. But whatever I have to say I hope it will not be obscure, and it will not be puzzling or confusing because . . . I will tell you and reply [to] you with some words by your writer Thoreau, who said, 'do not suppose I have a taint of obscurity.' I will speak about Gertrude Stein as a poet, great, famous, and courageous person -- figure. Well, speaking about poetry, it is very difficult to say. Where is the climate of poetry? Where is it that poetry originates? It is very difficult to explain to you. You know very well it starts from the forgotten past of the magic ritual. In the words of the high priest, the words that contained life and death, fear and happiness. As priest, the words that contained life and death, fear and happiness. As it says in the fairytales about the Firebird, it's beyond the Seven Seas. At the end of the night -- at the end of the night there is the garden of Hesperides. And there grow the trees, the apples of eternity. You see, it's all very far and it's all very strange and what I have to say seems to you probably strange. I am like an old folklore storyteller. So, I will try to explain [to] you my point of view about this very strange, unusual thing -- what is poetical inspiration -- because the sources of poetical inspiration are equal for us, and for composers, and for poets. And I hope I will not be confusing, and I hope I will not confuse you more that I am confused, it is not me who's confused -- they simply don't understand. And also I would like to prove to Miss Alice B. Toklas, the faithful companion of Gertrude Stein, that painters not only paint but also can think sometimes. Well, here we are."&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;--Pavel Tchelitchew&lt;br /&gt;&lt;br /&gt;by way of introducing remarks concerning his memories of Gertrude Stein&lt;br /&gt;&lt;br /&gt;Martin A. Ryerson Lecture, Yale University, Feb. 20, 1951&lt;br /&gt;in &lt;i&gt;Gertrude Stein Remembered&lt;/i&gt;&lt;br /&gt;[Lincoln, Nebraska: Univ. of Nebraska Press, 1994]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2217834768418359540?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2217834768418359540/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2217834768418359540&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2217834768418359540'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2217834768418359540'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/06/will-you-excuse-me-for-my-english-which.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7866803567686227738</id><published>2010-06-01T18:06:00.001-05:00</published><updated>2010-06-01T18:07:42.095-05:00</updated><title type='text'></title><content type='html'>&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;Local Color&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/b&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #333333; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;"I arrived in Nis midmorning. The highway leading into town was empty and lined with stores selling motorbikes and diet supplements. The city felt far removed from Belgrade, with its Austro-Hungarian facades and well-ordered criminality. Nis was wilder, and had more of an ethnic mix: Albanians, Macedonians, Gypsies. The city's most famous landmark is the Skull Tower, which was built by the Turks, in 1809, out of quicklime, sand, and nine hundred and fifty-two skulls of Serbian fighters. On the uneven sidewalks, girls in heavy makeup tottered along in high heels, their loutish boyfriends following closely behind."&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="color: #333333; font-weight: normal; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;span class="Apple-style-span" style="color: #333333; font-weight: normal; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;--David Samuels&lt;br /&gt;&lt;br /&gt;fr. "The Pink Panthers: A tale of diamonds, thieves, and the Balkans"&lt;/span&gt;  &lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #333333; font-weight: normal; line-height: 16px;"&gt;&lt;span class="Apple-style-span" style="font-family: Times, 'Times New Roman', serif;"&gt;&lt;div style="text-align: justify;"&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;in &lt;/span&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt;The New Yorker&lt;/span&gt;&lt;/i&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, sans-serif;"&gt; [April 12, 2010]&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7866803567686227738?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7866803567686227738/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7866803567686227738&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7866803567686227738'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7866803567686227738'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/06/local-color-i-arrived-in-nis-midmorning.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-614092269103529229</id><published>2010-05-21T16:13:00.001-05:00</published><updated>2010-05-21T16:13:38.569-05:00</updated><title type='text'></title><content type='html'>&lt;span class="Apple-style-span" style="color: #333333; font-family: 'Trebuchet MS', Verdana, Arial, sans-serif; font-size: 13px; line-height: 18px;"&gt;Poems from the Book of Nanoseconds, #49&lt;br /&gt;&lt;br /&gt;sounds from the kitchen&lt;br /&gt;the sky above us&lt;br /&gt;an uncertain blue&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-614092269103529229?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/614092269103529229/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=614092269103529229&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/614092269103529229'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/614092269103529229'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/05/poems-from-book-of-nanoseconds-48.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3579239267776856199</id><published>2010-05-11T15:04:00.000-05:00</published><updated>2010-05-11T15:04:05.684-05:00</updated><title type='text'></title><content type='html'>"I placed one word beside another and finally with a great deal of effort managed to construct a whole sentence--naturally not one that 'meant something' but one that was composed of word-nuances. It was the hidden meaning that I was seeking--a kind of &lt;i&gt;Alchemie du verbe&lt;/i&gt;. One word has its meaning and another word has its own, but when they are brought together something strange happens to them: they have an in-between connotation at the same time as they retain their original individual meanings . . . poetry is this very tension-filled relationship between the words, between the lines, between the meanings."&lt;br /&gt;&lt;br /&gt;--Gunnar Ekelöf&lt;br /&gt;&lt;br /&gt;tr. W. H. Auden and Leif Sjöberg&lt;br /&gt;quoted in &lt;i&gt;Gunnar Ekelöf: Selected Poems&lt;/i&gt;&lt;br /&gt;Introduction by Göran Prinz-Pahlson&lt;br /&gt;[Baltimore, Maryland: Penguin Books, 1971]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3579239267776856199?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3579239267776856199/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3579239267776856199&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3579239267776856199'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3579239267776856199'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/05/i-placed-one-word-beside-another-and.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2377726222508214127</id><published>2010-03-28T14:29:00.000-06:00</published><updated>2010-03-28T14:29:59.543-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"Then visited the Tamagawa at Noda and the Oki-no-ishi. On Sue-no-Matsuyama temple known as Masshozan. Everywhere between pines graves, bringing home the fact that even vows of "wing and wing, branch and branch, forever merging" must also come to such, sadness increasing, and at Shiogama Beach a bell sounded evening. A &lt;i&gt;samidare&lt;/i&gt; sky cleared some, faint early moon, Magaki Island also coming clear. "Fishing boats" pulling together, voices dividing the catch, "the haul's excitement" grasped now, rousing deep response. That night a blind minstrel played &lt;i&gt;biwa&lt;/i&gt; and chanted &lt;i&gt;Oku-joruri&lt;/i&gt;. Not like Tales of the Heike nor &lt;i&gt;mai&lt;/i&gt;, singing country tunes boisterously to our pillows, but not unusual either, traditional in such out-of-the-way places, and good they're kept up."&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;--Basho&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;fr. &lt;i&gt;Back Roads to Far Towns&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;tr. Cid Corman and Kamaike Susumu&lt;/div&gt;&lt;div style="text-align: justify;"&gt;[New York: Grossman Publishers, 1968]&lt;i&gt;&amp;nbsp;&lt;/i&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt; &lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2377726222508214127?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2377726222508214127/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2377726222508214127&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2377726222508214127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2377726222508214127'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/03/then-visited-tamagawa-at-noda-and-oki.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7142131713719456044</id><published>2010-03-22T13:11:00.000-06:00</published><updated>2010-03-22T13:11:17.983-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;35 Piano Etudes&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;for David Rakowski&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;1.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;On an otherwise empty stage, a grand piano stands with its lid fully open, the stool a few feet from the pedals. The pianist lid fully open, the stool a few feet from the pedals. The pianist enters, carrying a toy piano and scrunches under the body of the grand pianos with it, making him/herself as comfortable as possible.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;The pianist, with a smile, acknowledges the audience and, using a white handkerchief, dusts off the keys of the toy piano. Then, he/she performs John Cage's 4'33" twice in succession. Between the two performances he or she may or may not improvise a brief statement explaining why the piece is being performed again.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;2.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The pianist approaches the piano cautiously, as though not knowing what it is. The lid is down, the keyboard is covered. The pianist taps various parts of the piano, testing its sounds.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Then with the briefest of glances at the audience he/she sits down on the stool, flips the tails of a tuxedo jacket he/she isn't wearing free of the stool, and, turning to the audience, announces he/she will play ___________.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;He/she proceeds to do so, without opening the keyboard. When the piece is over, he/she rises, bows to the audience and leaves the stage.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;3.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The pianist comes on stage carrying a leash, which he/she attaches to the&amp;nbsp;right-front leg of the piano. He/she then turns back toward&amp;nbsp;the door by which he/she entered and starts forward. If the piano,&amp;nbsp;like a recalitrant puppy, fails to move, the pianist drops the leash,&amp;nbsp;goes to the stage-door and waves onto the stage another pianist&amp;nbsp;who attaches a leash to the left-front leg of the piano. If the piano&amp;nbsp;again fails to move, a third pianist is enlisted to help . . . and then&amp;nbsp;a fourth, fifth, sixth, etc., if necessary, until the piano begins to move.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;When the piano is finally moving, the assembled pianists walk it once&amp;nbsp;in a circle around the stage. When at last it is back more or less in&amp;nbsp;its original position, then unleash it and, applauding politely, say,&amp;nbsp;"Good dog! Good boy!" Then, they pat its lid and file off the stage.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;4.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;At any point in an otherwise normal recital (though not at the very&amp;nbsp;beginning or end, or just before or after intermission), the pianist&amp;nbsp;invites all of the members of the audience who care to do so to file&amp;nbsp;onto the stage and play a single note on the piano. After all who&amp;nbsp;care to participate have done so, he or she applauds the audience&amp;nbsp;and invites its members to applaud themselves.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;5.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The formally dressed pianist comes on stage carrying a tool kit. He&amp;nbsp;or she, during the first half of the concert, disassembles the grand&amp;nbsp;piano while whistling tunes from various pieces by Chopin. Then,&amp;nbsp;after intermission, the pianist returns to the stage, bows, and proceeds,&amp;nbsp;in silence, to reassemble the piano. A piano-tuner then retunes the&amp;nbsp;piano, and, as an encore, the pianist performs Schumann's Toccata in C.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;6.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Six or more pianos (depending on space available) are wheeled on&amp;nbsp;stage and six (or more) pianists in gym togs and begin doing jumping&amp;nbsp;jacks and push-ups near each of the pianos. Each of the pianists in&amp;nbsp;turn stops exercising and plays a three- or four-minute etude of his or&amp;nbsp;her choice as the others continue their jumping jacks and push-ups.&amp;nbsp;When the last pianist has played and resumed exercising, the exercising&amp;nbsp;continues for another four or five minutes, after which the exercising&amp;nbsp;stops and the performers take their bows.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;7.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;The soloist, struggling mightily, pushes his/her piano up a hill, perhaps&amp;nbsp;one of the lows hills surrounding the Hollywood Bowl. When, at the&amp;nbsp;crest of the hill, there is a moment's pause before the piano begins to&amp;nbsp;roll back down, the pianist is able to rest briefly and savor his/her&amp;nbsp;freedom, before trudging down to begin the task of pushing the piano&amp;nbsp;up the hill, yet again.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;8.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Two nanopianos are inserted into the Large Hadron Collider at the&amp;nbsp;CERN facility near the border of France and Switzerland. They are&amp;nbsp;fired, molto vivace, in opposite directions, and when they collide&amp;nbsp;the resultant tempi and fingerings are studied for any hints as to&amp;nbsp;how music first came into being.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;9.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Prepare to perform an evening of Beethoven piano sonatas, but on&amp;nbsp;a piano prepared for a performance of John Cage's Sonatas and Interludes.&amp;nbsp;(A piano prepared by Aleck Karis is recommended.) The choice of&amp;nbsp;Beethoven sonatas is yours.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;10.&lt;/div&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"&gt;&lt;div style="text-align: justify;"&gt;Choosing individual movements from among the piano sonatas of Scriabin,&amp;nbsp;Beethoven, Prokofiev, Bach, Chopin, Haydn, and Mozart, prepare an evening&amp;nbsp;of piano sonatas. Rules: 1) three sonatas minimum, four maximum; 2) no composer&amp;nbsp;represented more than once in each sonata or more than three times in the program as&amp;nbsp;a whole.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;11.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7142131713719456044?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7142131713719456044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7142131713719456044&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7142131713719456044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7142131713719456044'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/03/35-piano-etudes-for-david-rakowski-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-247396342651747531</id><published>2010-03-22T12:02:00.001-06:00</published><updated>2010-03-22T12:25:00.463-06:00</updated><title type='text'></title><content type='html'>Just in case you've missed my announcements in various places, my new collection, called &lt;i&gt;The Perfection of Mozart's Third Eye and other sonnets,&lt;/i&gt;&amp;nbsp;can be found at the following link:&lt;br /&gt;&lt;br /&gt;http://www.scribd.com/people/documents/14481250-chalk-editions&lt;br /&gt;&lt;br /&gt;Enjoy!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-247396342651747531?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/247396342651747531/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=247396342651747531&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/247396342651747531'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/247396342651747531'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/03/just-in-case-youve-missed-my.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4209006474570929942</id><published>2010-02-23T13:14:00.000-06:00</published><updated>2010-02-23T13:14:50.392-06:00</updated><title type='text'></title><content type='html'>&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;b&gt;from Chekhov&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;"Did Nikolai publish his akathists?" I asked Ieronym.&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;"Where would he publish them?" he sighed. "And it would be strange to publish them. What for? In our monastery nobody's interested in them. They don't like it. They knew Nikolai wrote them, but they paid no attention. Nowadays, sir, nobody respects new writings."&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;"Are they prejudiced against them?"&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;"Exactly so. If Nikolai had been an elder, the brothers might have been curious, but he wasn't even forty years old. There were some who laughed and even considered his writings a sin."&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;"Then why did he write?"&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;"More for his own delight. Of all the brothers, I was the only one who read his akathists. I used to come to him on the quiet, so that the others wouldn't see, and he was glad I was interested. He embraced me, stroked my head, called me tender words as if I were a little child. He would close the door, sit me down next to him, and start reading . . ."&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;fr. "Easter Night"&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;in &lt;i&gt;Stories by Anton Chekhov&lt;/i&gt; &lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;tr. Richard Pevear &amp;amp; Larissa Volokhonsky&lt;/div&gt;&lt;div style="font-family: Georgia,&amp;quot;Times New Roman&amp;quot;,serif; text-align: justify;"&gt;[New York: Bantam Books, 2000]&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4209006474570929942?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4209006474570929942/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4209006474570929942&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4209006474570929942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4209006474570929942'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/02/from-chekhov-did-nikolai-publish-his.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7293012326521345522</id><published>2010-02-11T11:10:00.000-06:00</published><updated>2010-02-11T11:10:17.062-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #48&lt;br /&gt;&lt;br /&gt;Repeated phone calls &lt;br /&gt;desperate to obtain&lt;br /&gt;a feeling of guilt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7293012326521345522?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7293012326521345522/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7293012326521345522&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7293012326521345522'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7293012326521345522'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/02/poems-from-book-of-nanoseconds-48.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3791288942009596202</id><published>2010-02-10T14:29:00.000-06:00</published><updated>2010-02-10T14:29:29.388-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 50&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;cleaning up after Gustav, Hanna, Ike&lt;br /&gt;cleaning up after Bush, after Cheney&lt;br /&gt;rewriting the history of consciousness&lt;br /&gt;blurring the possibilities&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;administering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;49.&lt;br /&gt;finding the photos of the old house&lt;br /&gt;rowing the boat ashore&lt;br /&gt;thinking things through again&lt;br /&gt;keeping the guard up&lt;br /&gt;&lt;br /&gt;50.&lt;br /&gt;parsing the genome&lt;br /&gt;flinging sweets down the staircase&lt;br /&gt;exhaling only when necessary&lt;br /&gt;tearing myself away&lt;br /&gt;&lt;br /&gt;51.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3791288942009596202?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3791288942009596202/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3791288942009596202&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3791288942009596202'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3791288942009596202'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2010/02/works-in-progress-50-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5311063354886318337</id><published>2009-11-26T12:41:00.003-06:00</published><updated>2009-11-26T12:55:57.400-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"Yesterday in the factory. The girls, in their unbearably dirty and untidy clothes, their hair disheveled as though they had just got up, the expressions on their faces fixed by the incessant noise of the transmission belts and by the individual machines, automatic ones, of course, but unpredictably breaking down, they aren't people, you don't greet them, you don't apologize when you bump into them, if you call them over to do something, they do it but return to their machine at once, with a nod of the head you show them what to do, they stand there in petticoats, they are at the mercy of the pettiest power and placate it by a glance, a bow. But when six o'clock comes and they call it out to one another, when they untie the kerchiefs from around their throats and their hair, dust themselves with a brush that passes around and is constantly called for by the impatient, when they pull their skirts on over their heads and clean their hands as well as they can--then at last they are women again, despite pallor and bad teeth they can smile, shake their stiff bodies, you can no longer bump into them, stare at them or overlook them, you move back against the greasy crates to make room for them, hold your hat in your hand when they say good evening, and do not know how to behave when one of them holds your winter coat for you to put on."&lt;br /&gt;&lt;br /&gt;--Franz Kafka&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Diaries 1910-1913&lt;/span&gt;&lt;br /&gt;tr. Joseph Kresh&lt;br /&gt;&lt;br /&gt;[New York: Schocken Books, 1965]&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5311063354886318337?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5311063354886318337/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5311063354886318337&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5311063354886318337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5311063354886318337'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/11/yesterday-in-factory.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6174326624252923806</id><published>2009-09-27T15:35:00.002-05:00</published><updated>2009-09-27T15:42:28.167-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;"Okay, look at it this way. I have absolutely no feelings of guilt. Not one tiny little one. Why in the lord's name should I? I have never felt any remorse. I have never been locked up for what I did. I have nevere gone crazy, even for a moment, thinking about it. I just believe that this whole thing has been personalized too much. It was combat. War. There was nothing personal in it. I didn't feel, 'Good, I have wiped out Hiroshima.' No way. It was just a bomb job that I was called in to do in rather unusual circumstances and did to the best of my abilities. I would do the same thing today if I was asked to. That is what obeying orders is all about."&lt;br /&gt;&lt;br /&gt;--Paul Tibbets&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;The Hiroshima Tapes&lt;/span&gt; by Gordon Thomas&lt;br /&gt;(excerpted in the &lt;span style="font-style: italic;"&gt;Japan Times&lt;/span&gt; 8/9/82&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;)&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6174326624252923806?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6174326624252923806/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6174326624252923806&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6174326624252923806'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6174326624252923806'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/09/okay-look-at-it-this-way.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3694367688201639765</id><published>2009-08-31T17:16:00.001-05:00</published><updated>2009-08-31T17:17:54.715-05:00</updated><title type='text'></title><content type='html'>"Charles Abbott came to see us one winter's day about ten years ago. We sat in our front room all afternoon, Floss, he and I, over a highball or two, staring into a wood fire in our grate, letting the light fade. We hardly moved other than to refill our glasses. The phone didn't ring once. We thought we were in heaven."&lt;br /&gt;&lt;br /&gt;--William Carlos Williams, &lt;span style="font-style: italic;"&gt;Autobiography&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3694367688201639765?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3694367688201639765/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3694367688201639765&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3694367688201639765'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3694367688201639765'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/08/charles-abbott-came-to-see-us-one.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3579589711060254819</id><published>2009-08-13T14:15:00.001-05:00</published><updated>2009-08-13T14:16:08.274-05:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #47&lt;br /&gt;&lt;br /&gt;blackness around them&lt;br /&gt;not even the sound&lt;br /&gt;of the forest&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3579589711060254819?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3579589711060254819/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3579589711060254819&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3579589711060254819'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3579589711060254819'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/08/poems-from-book-of-nanoseconds-47.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6753205732630521291</id><published>2009-08-03T12:21:00.000-05:00</published><updated>2009-08-03T12:22:36.156-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;Slow Poetry (Translation Division)&lt;br /&gt;&lt;br /&gt;"Tollas Tibor, a poet who spent several years in solitary confinement during the most repressive phases of the Hungarian communist regime, says that in the Visegrád jail, where hundreds of intellectuals were imprisoned, the inmates kept themselves occupied for more than a year by devising a poetry translation contest. First, they had to decide on the poem to translate. It took months to pass the nominations around from cell to cell, and several more months of ingenious secret messages before the votes were tallied. Finally it was agreed that Walt Whitman's "O Captain! My Captain!" was to be the poem to translate into Hungarian, partly because it was the one that most of the prisoners could recall from memory in the original English. Now began the serious work: everyone sat down to make his own version of the poem. Since no paper or writing tool was available, Tollas spread a film of soap on the soles of his shoe, and carved the letters into it with a toothpick. When a line was learned by heart, he covered his shoe with a new coating of soap. As the various stanzas were written, they were memorized by the translator and passed on to the next cell. After a while, a dozen versions of the poem were circulating in the jail, and each was evaluated and voted on by all the inmates. After the Whitman translation was adjudicated, the prisoners went on to tackle a poem by Schiller."&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;--Mihaly Csikszentmihalyi&lt;br /&gt;&lt;br /&gt;fr. &lt;i&gt;Flow: The Psychology of Optimal Experience&lt;/i&gt;&lt;br /&gt;[HarperPerennial, 1990]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6753205732630521291?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6753205732630521291/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6753205732630521291&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6753205732630521291'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6753205732630521291'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/08/slow-poetry-translation-division-tollas.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6224264651477882973</id><published>2009-07-17T11:33:00.003-05:00</published><updated>2009-07-17T11:42:18.781-05:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 12&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;"In the newspaper thing it is the crime it is the criminal that is interesting, in the story it is the story about the crime that is interesting. Now think, you will perfectly realize that the newspaper practically never tells anything about detecting, a little in the case of Dillinger, a little in the case of Hauptmann but still really very little and in lesser crimes not at all the emphasis is entirely upon the crime and not upon the detecting and in the written story it is impossible to hold the attention by telling about the crime you can only hold the attention by telling about detecting. All this is very interesting most most interesting and has to do with what the newspaper has to say and what it has not to say and the fact that in the long run one might say practically any day the newspaper is not really exciting."&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;fr. Narration: Lecture 3&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6224264651477882973?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6224264651477882973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6224264651477882973&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6224264651477882973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6224264651477882973'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/07/paragraphs-from-stein-12-in-newspaper.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5965065910901729532</id><published>2009-05-11T09:48:00.002-05:00</published><updated>2009-05-11T09:52:12.101-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 49&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;cleaning up after Gustav, Hanna, Ike&lt;br /&gt;cleaning up after Bush, after Cheney&lt;br /&gt;rewriting the history of consciousness&lt;br /&gt;blurring the possibilities&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;administering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;49.&lt;br /&gt;finding the photos of the old house&lt;br /&gt;rowing the boat ashore&lt;br /&gt;thinking things through again&lt;br /&gt;keeping the guard up&lt;br /&gt;&lt;br /&gt;50.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5965065910901729532?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5965065910901729532/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5965065910901729532&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5965065910901729532'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5965065910901729532'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/05/works-in-progress-49-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4154348696917980302</id><published>2009-04-01T10:18:00.003-06:00</published><updated>2009-04-03T09:21:34.265-06:00</updated><title type='text'></title><content type='html'>A Paragraph by Skip Fox&lt;br /&gt;&lt;br /&gt;One reason why I love getting new books from Skip Fox:&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;"To be a &lt;span style="font-weight: bold;"&gt;poet&lt;/span&gt; is to write poetry. That is, if your notion of poetry is sufficiently realized. How can we measure? Such notions might lie just beyond speech or miles without. Perhaps they can only be learned (not taught, though they seem so natural that only with difficulty can they be considered learned. Preparations? Preconditions? A lack of rigid predispositions as a setting for requisite attentiveness, definite interest in being alive (are you surprised how uncommon  &lt;span style="font-style: italic;"&gt;that &lt;/span&gt;i&lt;span style="font-style: italic;"&gt;&lt;/span&gt;s?), willingness to provisionally accept anything, disdain for predigested product, deepening respect for personal implication, desire to extend notions of beauty, to be real and at one's furthest application, and to be doing with the result resolve obtains, more than the residue of activity, and which involves you each time you consider it, a resolution aflame, &lt;span style="font-style: italic;"&gt;association of sensibilities in passionate engagement&lt;/span&gt;, an issue or unfolding, simply, of more than time, opening rose, the genitals of soft freight an issuance, the color of her light and the timbre in her heels echoing down the parking garage, three floors below where she'll eventually find the body, and other things beside."&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Delta Blues&lt;/span&gt;&lt;br /&gt;[Tokyo/Toronto: Ahadada Books, 2009]&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4154348696917980302?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4154348696917980302/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4154348696917980302&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4154348696917980302'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4154348696917980302'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/04/paragraph-by-skip-fox-one-reason-why-i.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3783744311045626930</id><published>2009-01-19T09:40:00.000-06:00</published><updated>2009-01-19T09:41:13.827-06:00</updated><title type='text'></title><content type='html'>First Night in the White House&lt;br /&gt;&lt;br /&gt;The Potomac's sunset was wonderful&lt;br /&gt;and the new President&lt;br /&gt;after a long festive day&lt;br /&gt;falls asleep on Lincoln's bed&lt;br /&gt;&lt;br /&gt;He dreams jackdaws&lt;br /&gt;And no matter how soft he nears&lt;br /&gt;and his hand&lt;br /&gt;no matter what the offering&lt;br /&gt;--away they fly&lt;br /&gt;&lt;br /&gt;-- Gregory Corso&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Long Live Man&lt;/span&gt;&lt;br /&gt;[New York: New Directions, 1962]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3783744311045626930?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3783744311045626930/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3783744311045626930&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3783744311045626930'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3783744311045626930'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/01/first-night-in-white-house-potomacs.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-486286991456486324</id><published>2009-01-17T11:32:00.000-06:00</published><updated>2009-01-17T11:33:37.089-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;On Purple Prose&lt;br /&gt;&lt;br /&gt;Oh, yes, we love it so. The French doors open to a breeze that flutters the brocaded tassels of the curtains, the long table gorgeously set for a dinner for two, as yet untouched, although a carelessly brushed over goblet has spilled its cabernet sauvignon out over the expansive whiteness of the linen tablecloth. All three servants, off for the night, probably in town, laughing and carousing in some public house. We love the long view of the path along the top of the seaside cliff, the white-capped sea beyond—below. We love the wild foot chase, one of them hurrying after the other. One shoe left behind in the dust of the path. Their tear along the clifftop, the struggle that, from a distance, could be taken for one long last embrace. Hard to say which comes first—the shout or the scream, diminuendoing its way down to the wave-lapped rocks at the base of the basalt cliff, echoing the cries of seabirds rising up to greet its downward plunge. We love the mad rush back to the Gothic enormity of the house, the bags already packed, the car in the drive, driven this time, not by the grumbly chauffeur, but by another. The drive to the airport—not too fast, not too slow. The ticket and passport in someone else’s name. And then the long flight, three martinis in a row, the trembling hand, the uneasy sleep. The arrival at last at an airport in some distant Spanish-speaking land, a tattered city, with mountains nearby to hide in. The anxious searching for a newspaper in some language one can read, something that tells the tale. We love the dusty bus ride to the hills and the mountains beyond. And then the little house, the quiet nights, the long wait.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-486286991456486324?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/486286991456486324/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=486286991456486324&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/486286991456486324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/486286991456486324'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/01/on-purple-prose-oh-yes-we-love-it-so.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6536103711489718050</id><published>2009-01-17T11:18:00.002-06:00</published><updated>2009-01-17T11:25:32.932-06:00</updated><title type='text'></title><content type='html'>A Hypothetical Dialogue&lt;br /&gt;&lt;br /&gt;Interrogator:   In the first line of your sonnet which reads, "Shall I compare thee to a summer's day", would not "a spring day" do as well or better?&lt;br /&gt;&lt;br /&gt;Witness:   It wouldn't scan.&lt;br /&gt;&lt;br /&gt;Interrogator:   How about "a winter's day"? That would scan all right.&lt;br /&gt;&lt;br /&gt;Witness:   Yes, but nobody wants to be compared to a winter's day.&lt;br /&gt;&lt;br /&gt;Interrogator:   Would you say Mr. Pickwick reminded you of Christmas?&lt;br /&gt;&lt;br /&gt;Witness:   In a way.&lt;br /&gt;&lt;br /&gt;Interrogator:   Yet Christmas is a winter's day, and I do not think Mr. Pickwick would mind the comparison.&lt;br /&gt;&lt;br /&gt;Witness:   I don't think you're serious. By a winter's day one means a typical winter's day, rather than a special one like Christmas.&lt;br /&gt;&lt;br /&gt;--Alan M. Turing, "Computing Machinery and Intelligence"&lt;br /&gt;[&lt;span style="font-style: italic;"&gt;Mind&lt;/span&gt;, Vol. LIX, No. 236 (1950)]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6536103711489718050?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6536103711489718050/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6536103711489718050&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6536103711489718050'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6536103711489718050'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/01/hypothetical-dialogue-interrogator-in.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-71905626928004483</id><published>2009-01-12T12:18:00.002-06:00</published><updated>2009-01-12T12:21:53.274-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;On Movies&lt;br /&gt;&lt;br /&gt;If you blink very fast when you’re watching a movie you will notice that nothing is really moving, that all you’re seeing is a succession of photos speeding by so quickly that people, things, objects seem to be moving. Movies favor characters who seem to be running, leaping, plunging (think of &lt;i&gt;Run, Lola, Run&lt;/i&gt; or any of the Bourne series) over those who (as in that rare film &lt;i&gt;My Dinner with André&lt;/i&gt;) just sit in a restaurant and chat about this, about that, whatever comes to mind, and rarely even bother to lift a forkful of food to their mouths. (I won’t even mention Warhol’s &lt;i&gt;Sleep&lt;/i&gt; or &lt;i&gt;Empire&lt;/i&gt;.) Cars seem to hurtle through the streets, crash through plate-glass windows into restaurants crowded with elderly diners realizing—all too late, many of them—that they’ll never finish those early-bird specials spread out on the tables before them. They even terrify rush-hour commuters on the expressway by seeming to drive contrary to traffic, weaving in and out of lanes, leaving a trail of burning and smoldering wreckage—dented, mangled and blown-up cars and buses and trucks that stretch for miles behind them in the gathering darkness, as the camera slowly zooms in on a sign saying “Report Aggressive Driving.” Most movies are full of people pretending to be other people. They say their lines as though, more quick-witted than most of us, they’d just made them up, all by themselves. No wonder we admire them so—their words, their wit, their good looks. We’re money in the bank for them. And yet . . . and yet, if we had their courage, their nerve, we’d get out of our seats, walk down the aisle to the stage, climb up to the screen, and discover that they’re nothing but reflected light, not even skin-deep, so to speak.&lt;br /&gt;&lt;br /&gt;--HJ&lt;br /&gt;&lt;br /&gt;[in &lt;i&gt;The Bloomsbury Review, &lt;/i&gt;July-August, 2008]&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-71905626928004483?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/71905626928004483/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=71905626928004483&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/71905626928004483'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/71905626928004483'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/01/on-movies-if-you-blink-very-fast-when.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7975678824995940065</id><published>2009-01-10T22:36:00.002-06:00</published><updated>2009-01-10T22:39:30.827-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #46&lt;br /&gt;&lt;br /&gt;At the far end of candles&lt;br /&gt;came a nun, flickering at her devotions&lt;br /&gt;this early in the morning.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7975678824995940065?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7975678824995940065/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7975678824995940065&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7975678824995940065'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7975678824995940065'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2009/01/poems-from-book-of-nanoseconds-46-at.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-78688259052465701</id><published>2008-12-26T16:54:00.001-06:00</published><updated>2008-12-26T16:56:49.161-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;On Speech&lt;br /&gt;&lt;br /&gt;My father was a man of few words. When alive he had little to say, and after his death he said even less. He communicated with us, those of us who were still around to hear him, in looks and grunts and gestures. Near the end of his life he fell ill, sank into a coma that went on for weeks and weeks, and then for months and months. No looks, no grunts, no gestures. We hired someone to care for him. She was a retired nurse who might also have been someone’s nanny. She loved the old man, she said. And she felt that, in some way, she communicated with him, and he with her. But no, we tried to teach him the eyelid trick—you know, one blink for yes, two blinks for no. His eyes, though, remained closed. For us, no blinks at all from him. Then, one day, he surprised us all by waking up. He opened his eyes one morning when we all, except for the nurse,  happened to be there in his room. I can’t remember why, but there we were, the four of us—my sister, my two brothers—all there in his room, as though summoned. “Look there! His eyes are open,” one of us said. And the rest of us looked, and they were. His eyes strained to focus at first and then looked around the room, taking in each of us in turn. And then, his mouth opened and much to our surprise the first words to come out were in Spanish. “¿Qué pasa?” he said. I think we all shrugged, as though nothing at all were going on. As far as we knew, father had never uttered a word in Spanish before. And so he died. Silent again, and forever.&lt;br /&gt;&lt;br /&gt;--HJ&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-78688259052465701?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/78688259052465701/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=78688259052465701&amp;isPopup=true' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/78688259052465701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/78688259052465701'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/12/on-speech-my-father-was-man-of-few.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6005055042079428411</id><published>2008-12-24T13:33:00.000-06:00</published><updated>2008-12-24T13:35:22.032-06:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Typescript of a poem by Hilda Morley'/><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_W4N1E5s3nXo/SVKOzEqdR1I/AAAAAAAAASk/jelCj2_D4tI/s1600-h/Hilda+Morley.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 284px; height: 400px;" src="http://2.bp.blogspot.com/_W4N1E5s3nXo/SVKOzEqdR1I/AAAAAAAAASk/jelCj2_D4tI/s400/Hilda+Morley.jpg" alt="" id="BLOGGER_PHOTO_ID_5283442320935307090" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6005055042079428411?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6005055042079428411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6005055042079428411&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6005055042079428411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6005055042079428411'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/12/blog-post.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_W4N1E5s3nXo/SVKOzEqdR1I/AAAAAAAAASk/jelCj2_D4tI/s72-c/Hilda+Morley.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6217000128748921265</id><published>2008-11-06T12:52:00.002-06:00</published><updated>2008-11-06T12:58:34.125-06:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 11&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;"I can so well remember the first time Gertrude Stein took me to see Guillaume Apollinaire. It was a tiny bachelor's apartment on the rue des Martyrs. The room was crowded with a great many small young gentlemen. Who, I asked Fernande, are all these little men. They are poets, answered Fernande. I was overcome. I had never seen poets before, one poet yes but not poets. It was on that night too that Picasso, just a little drunk and to Fernande's great indignation persisted in sitting beside me and finding for me in a spanish album of photographs the exact spot where he was born. I came away with rather a vague idea of its situation."&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/span&gt;Gertrude Stein, &lt;span style="font-style: italic;"&gt;The Autobiography of Alice B. Toklas&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6217000128748921265?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6217000128748921265/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6217000128748921265&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6217000128748921265'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6217000128748921265'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/11/paragraphs-from-stein-11-i-can-so-well.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-8813647834134142518</id><published>2008-11-04T10:51:00.002-06:00</published><updated>2008-11-04T10:54:53.557-06:00</updated><title type='text'></title><content type='html'>On Election Day-- just a touch of Orwell&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;"In our time, political speech and writing are largely the defense of the indefensible.    Things like the continuance of British rule in India, the Russian purges and    deportations, the dropping of the atom bombs on Japan, can indeed be defended,    but only by arguments which are too brutal for most people to face, and which    do not square with the professed aims of the political parties. Thus political    language has to consist largely of euphemism., question-begging and sheer cloudy    vagueness. Defenseless villages are bombarded from the air, the inhabitants    driven out into the countryside, the cattle machine-gunned, the huts set on    fire with incendiary bullets: this is called &lt;i&gt;pacification&lt;/i&gt;. Millions of    peasants are robbed of their farms and sent trudging along the roads with no    more than they can carry: this is called &lt;i&gt;transfer of population&lt;/i&gt; or &lt;i&gt;rectification    of frontiers&lt;/i&gt;. People are imprisoned for years without trial, or shot in    the back of the neck or sent to die of scurvy in Arctic lumber camps: this is    called &lt;i&gt;elimination of unreliable elements&lt;/i&gt;. Such phraseology is needed    if one wants to name things without calling up mental pictures of them."&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;from "Politics and the English Language"&lt;br /&gt;http://www.mtholyoke.edu/acad/intrel/orwell46.htm&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-8813647834134142518?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/8813647834134142518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=8813647834134142518&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/8813647834134142518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/8813647834134142518'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/11/on-election-day-just-touch-of-orwell-in.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2403928712293414516</id><published>2008-10-29T10:55:00.003-06:00</published><updated>2008-12-27T10:32:04.996-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;On Losing the Way, 1&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Clementi in Yokohama&lt;br /&gt;&lt;br /&gt;In some cities the streets and avenues change their names every few blocks, and the house numbers do not run in any particular order, unless it is some order based on chronology or numerology or magic rather than geography. When street signs are written in an unfamiliar script in an unknown language, the problem of finding where one is going is compounded even further. In Tokyo, of course, there are police boxes in many neighborhoods, there both to help strangers find their way to where they’re going and to help those who are too drunk to make it to their own doorways after a night on the town with their friends. As for me, I’ve gotten lost everywhere I’ve been, in practically every Mexican city or large town I’ve ever tried to drive through, in Tokyo neighborhoods unvisited by &lt;span style="font-style: italic;"&gt;gaijin&lt;/span&gt;, where signs are only in &lt;span style="font-style: italic;"&gt;kanji&lt;/span&gt;, or even in New York City, when I’d gotten on the wrong subway train or gotten off unawares at a wrong stop. In Mexico or in Bangkok, signs that are too small, signs that are hidden behind utility poles, store signs, traffic lights—none of these help. Nor does noisy, chaotic traffic swathed in the fog of exhaust fumes spewed from trucks and buses and cars alike. Of course, one good way to learn a city is to get lost in it, to wander around in it, wondering if a certain intersection was the same one you drove through fifteen or twenty minutes before but maybe from a different direction. Almost anybody is willing to help, naturally, even if they have no idea where it is you want to go or how to get there. No one admits to not knowing where anything is. It’s always just around the corner, or straight ahead a few blocks and then left or maybe right, or back in the direction you came from, perhaps even where you had passed it by without so much as a glance. In the suburbs of Yokohama, where you’ve gone to teach some kids after-school English when their math tutor’s done with them, you might in the dark after class find no one on the streets to ask directions of when you’ve lost sight of the bus stop you need to find to get home because you were listening to some kid at a piano in a house you passed by playing a Clementi sonatina you once, a very long time ago, knew by heart.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2403928712293414516?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2403928712293414516/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2403928712293414516&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2403928712293414516'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2403928712293414516'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/10/on-losing-way-1-clementi-in-yokohama-in.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5378681110559747287</id><published>2008-10-22T12:35:00.002-05:00</published><updated>2008-10-22T12:53:50.503-05:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 10&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Patriarchal poetry while it was just as close as when they were then being used not only in here but also out there which is what was the thing that was not only requested but also desired which when there is not as much as if they could be while it can shall have and this was what was all when it was not used just for that but simply can be not what is it like when they use it.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;fr. "Patriarchal Poetry"&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5378681110559747287?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5378681110559747287/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5378681110559747287&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5378681110559747287'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5378681110559747287'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/10/paragraphs-from-stein-10-patriarchal.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-1180471860251657937</id><published>2008-10-16T12:48:00.002-05:00</published><updated>2008-10-16T12:50:36.267-05:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #45&lt;br /&gt;&lt;br /&gt;from mid-afternoon until late at night,&lt;br /&gt;too tiring for some of them&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-1180471860251657937?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/1180471860251657937/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=1180471860251657937&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/1180471860251657937'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/1180471860251657937'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/10/poems-from-book-of-nanoseconds-45-from.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6993238644906635</id><published>2008-09-12T11:04:00.002-05:00</published><updated>2008-09-12T11:14:36.749-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 48&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;cleaning up after Gustav, Hanna, Ike&lt;br /&gt;cleaning up after Bush, after Cheney&lt;br /&gt;rewriting the history of consciousness&lt;br /&gt;blurring the possibilities&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;administering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;49.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6993238644906635?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6993238644906635/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6993238644906635&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6993238644906635'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6993238644906635'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/09/works-in-progress-48-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4610201133435750633</id><published>2008-08-13T16:24:00.002-05:00</published><updated>2008-08-13T16:25:16.937-05:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;"Stravinsky is the only living musician from whom&lt;div&gt;I can learn my own job."&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-tab-span" style="white-space:pre"&gt;   &lt;/span&gt;--Ezra Pound&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4610201133435750633?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4610201133435750633/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4610201133435750633&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4610201133435750633'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4610201133435750633'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/08/stravinsky-is-only-living-musician-from.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4887539188900409195</id><published>2008-07-12T15:29:00.001-05:00</published><updated>2008-07-12T15:32:07.731-05:00</updated><title type='text'></title><content type='html'>Fragments from Thoreau, 10&lt;br /&gt;&lt;br /&gt;dead water for a couple miles&lt;br /&gt;civil looking elms, now imbrowned&lt;br /&gt;a few hemlocks also&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4887539188900409195?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4887539188900409195/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4887539188900409195&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4887539188900409195'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4887539188900409195'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/07/fragments-from-thoreau-10-dead-water.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-771264399150839249</id><published>2008-03-12T14:43:00.000-06:00</published><updated>2008-03-12T14:44:38.539-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #44&lt;br /&gt;&lt;br /&gt;String of white paper pendants,&lt;br /&gt;glossy hard green leaves--&lt;br /&gt;hard to exorcise.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-771264399150839249?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/771264399150839249/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=771264399150839249&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/771264399150839249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/771264399150839249'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/03/poems-from-book-of-nanoseconds-44.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5363404204750366836</id><published>2008-02-01T11:35:00.000-06:00</published><updated>2008-02-01T11:56:26.247-06:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 9&lt;br /&gt;&lt;br /&gt;"Gertrude Stein always said the war was so much better than just going to America. Here you were with America in a kind of way that if you only went to America you could not possible be. Every now and then one of the american soldiers would get into the hospital at Nîmes and as Doctor Fabre knew that Gertrude Stein had had a medical education he always wanted her present with the doughboy on these occasions. One of them fell off the train. He did not believe that the little french trains could go fast but they did, fast enough to kill him.&lt;br /&gt;&lt;br /&gt;"This was a tremendous occasion. Gertrude Stein in company with the wife of the préfet, the governmental head of the department and the wife of the general were the chief mourners. Duncan and two others blew on the bugle and everybody made speeches. The Protestant pastor asked Gertrude Stein about the dead man and his virtues and she asked the doughboys. It was difficult to find any virtue. Apparently he had been a fairly hard citizen. But can't you tell me something good about him, she said despairingly. Finally Taylor, one of his friends, looked up solemnly and said, I tell you he had a heart as big as a washtub."&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;The Autobiography of Alice B. Toklas&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5363404204750366836?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5363404204750366836/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5363404204750366836&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5363404204750366836'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5363404204750366836'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/02/paragraphs-from-stein-9-gertrude-stein.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4421098381994864723</id><published>2008-02-01T10:57:00.000-06:00</published><updated>2008-02-01T11:02:03.829-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 47&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp;amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;br /&gt;finding our way to the next whiskey bar&lt;br /&gt;extending that fence to both east and west coasts&lt;br /&gt;revising our previously revised revisions&lt;br /&gt;building the ark to end arks&lt;br /&gt;&lt;br /&gt;48.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4421098381994864723?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4421098381994864723/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4421098381994864723&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4421098381994864723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4421098381994864723'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2008/02/works-in-progress-47-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-5678035708985103489</id><published>2007-11-12T10:02:00.000-06:00</published><updated>2007-11-12T10:16:58.911-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;From My Life, 7&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Breathing again after a short respite. Mornings cool and clear after early haze evaporates or blows away. Language-y texts appear on the horizon, chasing off the birds that have completed their early morning sweeps of the neighborhood. My wife . . . this one, not one of those others . . . speculates about my behavior on previous days, wondering whether or not I've totally lost it, whatever "it" might be. Windows, as always, need cleaning and to some extent dim our current view of things, whatever those things are. Color returns to our cheeks--and to the world around us. And the music, the music . . .&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-5678035708985103489?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/5678035708985103489/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=5678035708985103489&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5678035708985103489'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/5678035708985103489'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/11/from-my-life-7-breathing-again-after.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-1468300081201983096</id><published>2007-09-11T10:08:00.000-05:00</published><updated>2007-09-11T10:13:45.705-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 46&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style:italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;br /&gt;pronouncing the names of the dead&lt;br /&gt;bringing Elian back to his Miami relatives&lt;br /&gt;rejuvenating all those pre-aged youngsters out there&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;&lt;br /&gt;47.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-1468300081201983096?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/1468300081201983096/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=1468300081201983096&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/1468300081201983096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/1468300081201983096'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/09/works-in-progress-46-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3600095071538788872</id><published>2007-09-10T06:54:00.001-05:00</published><updated>2007-09-10T06:54:57.139-05:00</updated><title type='text'></title><content type='html'>Marriage&lt;br /&gt;&lt;br /&gt;This is the poem that answers&lt;br /&gt;the question "What happens when an adult male&lt;br /&gt;who has been unmarried since childhood&lt;br /&gt;suddenly has his wife restored?"&lt;br /&gt;She just walks in the door one day&lt;br /&gt;and says, "Honey, guess what, I'm home!"&lt;br /&gt;He, looking up quizzically yet with good humor&lt;br /&gt;over the top of his newspaper, says,&lt;br /&gt;"Well, I never . . . ," but&lt;br /&gt;she interrupts with a smile, saying&lt;br /&gt;"You'll never guess where I've been!"&lt;br /&gt;He allows that that is true but holds&lt;br /&gt;his tongue. She, extracting a hairpin, takes&lt;br /&gt;her time explaining. And then, when she's&lt;br /&gt;done, things go on pretty much as one&lt;br /&gt;might expect. She finds everything&lt;br /&gt;out of order and begins to rearrange, and he&lt;br /&gt;wonders who it is she so reminds him of.&lt;br /&gt;&lt;br /&gt;--HJ&lt;br /&gt;&lt;br /&gt;in &lt;span style="font-style:italic;"&gt;Guide to the Tokyo Subway&lt;/span&gt;&lt;br /&gt;[Maplewood, New Jersey: Hamilton Stone Editions, 2006]&lt;br /&gt;&lt;br /&gt;--on the occasion this day, Sept. 10, of my 71st and our 17th&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3600095071538788872?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3600095071538788872/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3600095071538788872&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3600095071538788872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3600095071538788872'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/09/marriage-this-is-poem-that-answers.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7167257981826739145</id><published>2007-09-07T09:55:00.000-05:00</published><updated>2007-09-07T10:35:22.819-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;From My Life&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;&lt;br /&gt;I'm sitting in the car, awaiting the time at which I can legally leave it unattended, when three girls in, perhaps, their mid-teens come around the corner, one of them carrying part of a broken mirror of the sort that usually hang behind the door of young girls' bedrooms. The street is one of those in the neighborhood here where I used to be able to see, about a mile and a half to the south, the twin towers of the World Trade Center. At least one of these girls wasn't even a teenager then. I never really liked those towers, thought of them as twin sticks of margarine jutting up into the air above lower Manhattan, but only recently have come to be able to look south along those streets without being conscious of their absence. The girl who'd been carrying the broken mirror (I wondered briefly where the rest of it was) set it down on the sidewalk, leaning it against a garbage bin, and then squatted down in front of it, peering into it one last time and making some slight adjustments to her make-up before standing up and, with her two friends, turning around and going back the way they'd come, leaving the mirror, which, although I can't be sure, no longer held any trace of them.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7167257981826739145?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7167257981826739145/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7167257981826739145&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7167257981826739145'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7167257981826739145'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/09/from-my-life-6-im-sitting-in-car.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6512309853912598603</id><published>2007-08-29T16:57:00.001-05:00</published><updated>2008-10-22T12:35:01.782-05:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 9&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;The sadness of Spain and the monotony of the Spanish coloring after the time spent in Paris struck him forcibly upon his return there. Because one must never forget that Spain is not like other southern countries, it is not colorful, all the colors in Spain are white black silver or gold; there is no red or green, not at all. Spain in this sense is not at all southern, it is oriental, women there wear black more often than colors, the earth is dry and gold in color, the sky is blue almost black, the star-light nights are black too or a very dark blue and the air is very light, so that every one and everything is black. All the same I like Spain. Everything that was Spanish impressed itself upon Picasso when he returned there after his second absence and the result is what is known as his blue period. The French influence which had made his first or Toulouse Lautrec one was over and he had returned to his real character, his Spanish character.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Picasso&lt;/span&gt; (1938)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6512309853912598603?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6512309853912598603/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6512309853912598603&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6512309853912598603'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6512309853912598603'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/08/paragraphs-from-stein-8-sadness-of.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-4760728568790782739</id><published>2007-07-08T11:27:00.000-05:00</published><updated>2007-07-08T11:33:24.672-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 45&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;br /&gt;hammering out justice, all over this land&lt;br /&gt;disturbing the neighbors by night, by day&lt;br /&gt;enjoying privacy at our place in the country&lt;br /&gt;transmuting dross into gold&lt;br /&gt;&lt;br /&gt;46.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-4760728568790782739?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/4760728568790782739/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=4760728568790782739&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4760728568790782739'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/4760728568790782739'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/07/works-in-progress-45-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3155636187662758706</id><published>2007-06-01T11:16:00.000-05:00</published><updated>2007-09-07T10:34:03.567-05:00</updated><title type='text'></title><content type='html'>From My Life&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;My wife (no, not Irene, but the other one) died in the early hours of August 9, 1968. She'd been living alone in a walk-up on Perry Street for several months, and was found by a neighbor who'd stopped by to check on unusual noises she'd heard. I learned of her death only from a small news item in the &lt;span style="font-style: italic;"&gt;Times&lt;/span&gt; that said that her death was due to undetermined causes. When I went around to the precinct house to see if I could learn more, I suddenly became an "estranged husband" who might well be upgraded to the status of "suspect." But the causes of her death remained "undetermined" and, after several hours of sometimes polite questioning, I was told I was free to go but not to leave town. Some weeks later, her "remains" were released to me, though I, at first, had no idea what to do with them. Her family, who had for years had nothing to do with me but were sometimes in contact with her, suddenly had nothing to do but phone me, pleading that she not be cremated, but rather buried in their family cemetery plot somewhere upstate. So that's where she lies, in a cemetery that's really rather pretty, with her now unused feet pointing toward the Shawangunk Mountains off in the bluish haze to the west.&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3155636187662758706?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3155636187662758706/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3155636187662758706&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3155636187662758706'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3155636187662758706'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/06/from-my-life-5-my-wife-no-not-irene-but.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-7696415770551264081</id><published>2007-03-28T14:15:00.000-06:00</published><updated>2007-03-28T14:20:30.577-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #43&lt;br /&gt;&lt;br /&gt;This hour of the morning&lt;br /&gt;two burning candles, not even&lt;br /&gt;recognizing the whites of her eyes&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-7696415770551264081?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/7696415770551264081/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=7696415770551264081&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7696415770551264081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/7696415770551264081'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/03/poems-from-book-of-nanoseconds-43-this.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2211760634588714329</id><published>2007-03-22T09:36:00.000-06:00</published><updated>2007-03-22T09:44:47.702-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 44&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;br /&gt;paying off our debts, incurring new ones&lt;br /&gt;getting the MS of the new book out into the mail&lt;br /&gt;preparing ourselves for our press conference&lt;br /&gt;seeking an end to cross-pollination&lt;br /&gt;&lt;br /&gt;45.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2211760634588714329?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2211760634588714329/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2211760634588714329&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2211760634588714329'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2211760634588714329'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/03/works-in-progress-44-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-2831224459371244072</id><published>2007-03-22T09:11:00.000-06:00</published><updated>2007-03-22T09:34:29.532-06:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 8&lt;br /&gt;&lt;br /&gt;The Morning&lt;br /&gt;&lt;br /&gt;Rose was a rose, she was not a dahlia, she was not a butter-cup (that is yellow), she was not a fuchsia or an oleander, well Rose wake Rose, Rose had not been asleep oh dear no, the dawn comes before the sun, and the dawn is the time to run, it is easy to run before the sun and Rose did. She was now not among the bushes which scratched but among trees which have nuts and she liked that, anybody would, and she did.&lt;br /&gt;&lt;br /&gt;It is wonderful how many trees there are whey they are all there and just then all the trees were all there, tree trunks are round that is if you go around but they are not round up into the air. Rose drew a deep breath of relief, and she lifted up her chair and she was almost glad she was there where she was.&lt;br /&gt;&lt;br /&gt;--Gertrude Stein&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style:italic;"&gt;The World Is Round&lt;/span&gt; (1939)&lt;br /&gt;[New York: Avon Books, 1972]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-2831224459371244072?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/2831224459371244072/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=2831224459371244072&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2831224459371244072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/2831224459371244072'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/03/paragraphs-from-stein-8-morning-rose.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6948530690033717853</id><published>2007-02-28T12:03:00.001-06:00</published><updated>2007-02-28T12:05:15.555-06:00</updated><title type='text'></title><content type='html'>Fragments from Thoreau, 9&lt;br /&gt;&lt;br /&gt;mistook it for an owl&lt;br /&gt;before it was dark&lt;br /&gt;remnant of a lumberer's shirt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6948530690033717853?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6948530690033717853/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6948530690033717853&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6948530690033717853'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6948530690033717853'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/02/fragments-from-thoreau-9-mistook-it-for_28.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-6868605195256004256</id><published>2007-02-17T17:41:00.000-06:00</published><updated>2007-02-17T17:45:39.276-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;From My Life&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;4.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;My wife, back when I had a wife, was a doozie. She’d stick with me through thin (as she said), but as soon as thick came along and I was well enough to be left alone—to my own devices, so to speak—she’d be off somewhere: taking a round-the-world cruise with her sister, sending back emails from exotic ports of call (Antwerp, Oran, Aden, and so on), always asking why I never bothered to answer her messages, email her back. As I never had an answer to that or any of her other questions (“Are you eating well?” “Are you getting enough sleep?”  “Are you remembering to water the plants?”), I’d just hit delete.  Irene was her name, as I recall.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-6868605195256004256?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/6868605195256004256/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=6868605195256004256&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6868605195256004256'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/6868605195256004256'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/02/from-my-life-4.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-8159968567434340678</id><published>2007-02-10T10:55:00.000-06:00</published><updated>2007-02-05T09:27:31.661-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 43&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;br /&gt;throwing our hats in the ring&lt;br /&gt;translating our actions into thought&lt;br /&gt;seeing that Anna Nicole Smith achieves sainthood&lt;br /&gt;rehanging Saddam and getting it right&lt;br /&gt;&lt;br /&gt;44.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-8159968567434340678?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/8159968567434340678/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=8159968567434340678&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/8159968567434340678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/8159968567434340678'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/02/works-in-progress-43-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-3891005451391196083</id><published>2007-02-05T09:26:00.000-06:00</published><updated>2007-02-05T09:27:32.074-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #42&lt;br /&gt;&lt;br /&gt;November morning,&lt;br /&gt;shadows cast by&lt;br /&gt;the face.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-3891005451391196083?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/3891005451391196083/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=3891005451391196083&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3891005451391196083'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/3891005451391196083'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/02/poems-from-book-of-nanoseconds-42.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-116769022662688410</id><published>2007-01-01T16:23:00.000-06:00</published><updated>2007-01-15T01:20:59.846-06:00</updated><title type='text'></title><content type='html'>Sonnet for the New Year&lt;br /&gt; &lt;br /&gt;Pleistocene campfires flickering in the distance, deeply&lt;br /&gt;rooted slogans chat it up with money barons. Medical&lt;br /&gt;malpractice suits us just fine, thank you very much.&lt;br /&gt;For instance, well-delivered apologies salve all wounds.&lt;br /&gt; &lt;br /&gt;Partial reconciliations break step when crossing a bridge,&lt;br /&gt;miraculous transformations no longer expected or offered.&lt;br /&gt;Higher disease rates unrelated to education or health costs&lt;br /&gt;speak volumes to our well-tuned ears.  Biology urges us&lt;br /&gt; &lt;br /&gt;to seek out music in the company of other people. Yahweh&lt;br /&gt;and other loud cellphone talkers gather to break bread to-&lt;br /&gt;gether, airwaves atremble with salutations, with greetings.&lt;br /&gt;On everyone's lips, prospects for reelection, for theatrical&lt;br /&gt; &lt;br /&gt;productions that do not close in a month or less. And soon,&lt;br /&gt;all spats aside, someone texts us a toast, and all follow suit.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-116769022662688410?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/116769022662688410/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=116769022662688410&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116769022662688410'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116769022662688410'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2007/01/sonnet-for-new-year-pleistocene.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-116525073851334817</id><published>2006-12-04T10:42:00.000-06:00</published><updated>2007-02-17T17:46:37.434-06:00</updated><title type='text'></title><content type='html'>From My Life&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;br /&gt;3.&lt;br /&gt;&lt;br /&gt;It wasn't enough that Silvie came over every other day to force me to get out of the apartment, to take a walk, but she even went so far as to keep precise records of how far I walked and how long it took me to do it. At first it would take me half an hour to walk a single block, but after a few months she had me walking several blocks in as few as fifteen minutes. Constantly dodging traffic and other pedestrians, many of them with their dogs or packs of dogs belonging to others in tow, we'd make our way down Hudson Street almost as far as Canal. And then we'd turn around and come back, not on Hudson but maybe on Greenwich or Washington, or sometimes along the river just beyond West Street. Silvie jotted down my time and distance and then was off, saying she'd see me the day after next. I said, "We'll see."&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-116525073851334817?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/116525073851334817/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=116525073851334817&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116525073851334817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116525073851334817'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/12/from-my-life-3.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-116342998406936652</id><published>2006-11-13T08:57:00.000-06:00</published><updated>2006-11-13T08:59:44.090-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 42&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;preventing its dividing itself up&lt;br /&gt;realizing our potential potential&lt;br /&gt;spending more time with the family&lt;br /&gt;waking up to unreality&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;43.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-116342998406936652?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/116342998406936652/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=116342998406936652&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116342998406936652'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116342998406936652'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/11/works-in-progress-42-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-116162421964852351</id><published>2006-10-23T12:14:00.000-05:00</published><updated>2006-10-23T12:23:39.666-05:00</updated><title type='text'></title><content type='html'>In reviewing a collection of Morton Feldman's writing, Richard Kostelanetz&lt;span style="font-style: italic;"&gt;&lt;/span&gt; laments that the book "fails to reproduce Feldman's monumental jokes. The strongest one in my head recalls his having dinner with the over-inflated German composer Karlheinz Stockhausen on 57th Street. When Stockhausen suggests that 'Germans and Jews are very much alike,' Feldman replies, 'Yes, there's nothing I'd rather do more than put three million Germans in concentration camps.'"&lt;br /&gt;&lt;br /&gt;--&lt;span style="font-style: italic;"&gt;The Brooklyn Rail &lt;/span&gt;(October 2006)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-116162421964852351?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/116162421964852351/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=116162421964852351&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116162421964852351'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116162421964852351'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/10/in-reviewing-collection-of-morton.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-116092545721506520</id><published>2006-10-15T10:14:00.000-05:00</published><updated>2006-10-15T10:21:19.510-05:00</updated><title type='text'></title><content type='html'>From My Life&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;My doctor and I have been playing a little game of telephone tag today. He's been trying to let me know that I'm going to be dying sooner than previously planned, this even after selling me an extended warranty only last year. I've managed to be out when he calls--you know, moving the car to get out of the way of street-cleaners and, of course, to avoid being ticketed and/or towed. When I get back to the apartment, there's another message from him on the machine, but it only says to call him, and that there's something "troubling" in my recent bloodwork. I put off calling him for a few days, and then, as always when I do call, he's either with a patient or not in the office or both. I leave my number with the re (de?) ceptionist and then leave the phone off the hook just in case he calls back before I have a chance to go out.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-116092545721506520?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/116092545721506520/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=116092545721506520&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116092545721506520'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/116092545721506520'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/10/from-my-life-2.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115971760487245080</id><published>2006-10-01T10:45:00.000-05:00</published><updated>2006-10-10T10:25:44.880-05:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #41&lt;br /&gt;&lt;br /&gt;establishing a certain ritual&lt;br /&gt;a perfunctory formality&lt;br /&gt;a woman, however elderly&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115971760487245080?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115971760487245080/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115971760487245080&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115971760487245080'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115971760487245080'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/10/poems-from-book-of-nanoseconds-41.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115884879322594480</id><published>2006-09-21T09:11:00.000-05:00</published><updated>2006-10-05T20:02:10.586-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 41&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect us&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;welcoming Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extraction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective marketing campaigns&lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading &lt;span style="font-style: italic;"&gt;An Anatomy of Melancholy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology--its life, its times&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with His Holiness, the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;br /&gt;returning that defective broadband router&lt;br /&gt;speaking kindly of those we no longer respect&lt;br /&gt;giving up keeping up as a modus vivendi&lt;br /&gt;putting our thoughts into action&lt;br /&gt;&lt;br /&gt;42.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115884879322594480?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115884879322594480/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115884879322594480&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115884879322594480'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115884879322594480'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/works-in-progress-41-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115867245255399088</id><published>2006-09-19T08:25:00.000-05:00</published><updated>2006-09-19T08:33:22.840-05:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;From My Life&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;&lt;br /&gt;John Ashbery came over to interview me for &lt;span style="font-style: italic;"&gt;Life Magazine&lt;/span&gt; yesterday. Walked over, in fact, even though walking nowadays is something of a chore for him. We met at my car, which was parked on the north side of Bank Street between Washington and West Streets. It was raining, and I had been trying, as always, and without success, not to see the raindrops as thousands and thousands of little tears sliding down the windshield as we spoke. I was a bit tired from the photo shoot Philippe Halsman had just put me through. He had me jumping up and down for hours--well, maybe not hours, but you know what I mean. When John asked his first question it had almost stopped raining.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115867245255399088?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115867245255399088/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115867245255399088&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115867245255399088'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115867245255399088'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/from-my-life-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115809355016357613</id><published>2006-09-12T15:31:00.000-05:00</published><updated>2006-09-12T15:39:10.183-05:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/4258/337/1600/IMG_2881.1.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/4258/337/320/IMG_2881.1.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115809355016357613?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115809355016357613/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115809355016357613&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115809355016357613'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115809355016357613'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/blog-post.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115789597738080816</id><published>2006-09-10T08:43:00.000-05:00</published><updated>2006-09-10T08:46:17.396-05:00</updated><title type='text'></title><content type='html'>The last paragraph I read last night, on the eve of our &lt;br /&gt;anniversary (Lynda's and mine--our fifteenth, as near as &lt;br /&gt;we can recollect) and the beginning of another new year &lt;br /&gt;for me, my seventy-first, was found by chance in John &lt;br /&gt;Ashbery's Three Poems, written back when he was in his &lt;br /&gt;late thirties and seeming today something like a little &lt;br /&gt;prayer for all of us.&lt;br /&gt;&lt;br /&gt;"We were ideally happy. we had reached that stage in our &lt;br /&gt;perennial evolution where holy thoughts no longer exist&lt;br /&gt;and one can speak one's mind freely, and the night shot&lt;br /&gt;back an answering fragrance: too far to the stars, but it&lt;br /&gt;was here in its intimacy that wraps you in permissiveness,&lt;br /&gt;leaving you free as it wanes to learn more about your special&lt;br /&gt;thoughts or any ideas you might have. It is never too late&lt;br /&gt;to mend. When one is in one's late thirties, ordinary things&lt;br /&gt;--like a pebble or a glass of water--take on an expressive&lt;br /&gt;sheen. One wants to know more about them, and one in&lt;br /&gt;turn lived by them. Young people might not envy this&lt;br /&gt;kind of situation, perhaps rightly so, yet there is now&lt;br /&gt;interleaving the pages of suffering and indifference to&lt;br /&gt;suffering a prismatic space that cannot be seen, merely&lt;br /&gt;felt through the mists of helpless acceptance of everything&lt;br /&gt;else projected in our miserable, dank span of days. One&lt;br /&gt;is aware of it as an open field of narrative possibilities.&lt;br /&gt;Not in the edifying sense of the tales of the past that we&lt;br /&gt;are still (however) chained to, but as stories that tell only&lt;br /&gt;of themselves, so that one realizes one's self has dwindled&lt;br /&gt;and now at last vanished in the diamond light of&lt;br /&gt;speculation. Collar up, you are lighter than air. The only&lt;br /&gt;slightly damaged bundle of receptive nerves is humming&lt;br /&gt;again, receiving the colorless emanation from outer space&lt;br /&gt;and dispatching dense, precisely worded messages. There&lt;br /&gt;is room to move around in it, which is all that matters.&lt;br /&gt;The pain that drained the blood from your cheeks when&lt;br /&gt;you were young and turned you into a whitened specter&lt;br /&gt;before your time is converted back into a source of energy&lt;br /&gt;that peoples this new world of perceived phenomena with&lt;br /&gt;wonder. You wish you could shake hands with your&lt;br /&gt;lovers and enemies, forgive and love them, but they too&lt;br /&gt;are occupied as you are, though they greet you with&lt;br /&gt;friendly, half-distracted smiles and nods. The Hermit&lt;br /&gt;has passed on, slowly and haltingly, the light streaming&lt;br /&gt;from under his cloak, and in his place the Hanged Man&lt;br /&gt;points his toe at the stars, at ease at last in comfortably&lt;br /&gt;assuming that age-old attitude of sacrifice; the gold&lt;br /&gt;coins slither out of his pockets and fall to earth which&lt;br /&gt;they fertilize with many ideas, some harebrained, others&lt;br /&gt;daringly original. In the sky a note of fashionable&lt;br /&gt;melancholy has begun to prevail: it is the quick-witted&lt;br /&gt;devotion of Sagittarius, the healer, caustic but kind, &lt;br /&gt;sweeping away the cobwebs of intuitive realism that&lt;br /&gt;still lingered there in pockets of darkness. The Archer&lt;br /&gt;takes careful aim, his arrow flies to the nearest card,&lt;br /&gt;the Five of Cups: 'Trouble from a loved one. Trouble&lt;br /&gt;introduced into the midst of an already realized state.&lt;br /&gt;Amorous dangers. Perils through a woman.' And also&lt;br /&gt;rectitude, for the aim was just. From the tiny trickle&lt;br /&gt;of blood from the wounded card a green stain grows;&lt;br /&gt;some leaves shoot up and then tiny white odorless&lt;br /&gt;flowers, the promise of what still remains to be&lt;br /&gt;fulfilled. But of course since that was no shot in the&lt;br /&gt;dark it is an already realized state in its potential.&lt;br /&gt;The note is struck, the development of its resonances&lt;br /&gt;ready to snap into place. For the moment we know&lt;br /&gt;nothing more than this."&lt;br /&gt;&lt;br /&gt;--John Ashbery&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style:italic;"&gt;Three Poems&lt;/span&gt; &lt;br /&gt;&lt;br /&gt;[New York: Viking Press, 1972]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115789597738080816?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115789597738080816/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115789597738080816&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115789597738080816'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115789597738080816'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/last-paragraph-i-read-last-night-on.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115777058599465966</id><published>2006-09-08T21:54:00.000-05:00</published><updated>2006-09-08T21:56:26.006-05:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #40&lt;br /&gt;&lt;br /&gt;the layer of white make-up&lt;br /&gt;a shade of snow-covered plum blossom&lt;br /&gt;whiskey urged her on&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115777058599465966?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115777058599465966/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115777058599465966&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115777058599465966'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115777058599465966'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/poems-from-book-of-nanoseconds-40.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115764863496557618</id><published>2006-09-07T11:55:00.000-05:00</published><updated>2006-09-07T12:03:54.980-05:00</updated><title type='text'></title><content type='html'>"My renunciation has yet another name: don't descend to the existing order. The existing order in our case? To read Your book, to thank You for it with empty words, to see You again from time to time 'smiling, to conceal Your smile,' to pretend that You'd written nothing and I, read nothing: as if nothing had happened."&lt;br /&gt;&lt;br /&gt;--Marina Tsvetaeva&lt;br /&gt;&lt;br /&gt;fr. "Letter to the Amazon"&lt;br /&gt;&lt;br /&gt;tr. Edwina J. Cruise&lt;br /&gt;&lt;br /&gt;in &lt;span style="font-style:italic;"&gt;&lt;/span&gt; &lt;span style="font-style:italic;"&gt;Artes: An International Reader of Literature Art and Music&lt;/span&gt; &lt;span style="font-style:italic;"&gt;&lt;/span&gt; 1996&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115764863496557618?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115764863496557618/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115764863496557618&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115764863496557618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115764863496557618'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/09/my-renunciation-has-yet-another-name.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115522492620629551</id><published>2006-08-10T10:41:00.000-05:00</published><updated>2006-08-10T10:49:22.353-05:00</updated><title type='text'></title><content type='html'>from Borges&lt;br /&gt;&lt;br /&gt;"People have been unaccountably good to me. I have no enemies, and if certain persons have masqueraded as such, they've been far too good-natured to have ever pained me. Anytime I read something written against me, I not only share the sentiment but feel I could do the job far better myself. Perhaps I should advise would-be enemies to send me their grievances beforehand, with full assurance that they will receive my every aid and support. I have even secretly longed to write, under a pen name, a merciless tirade again myself. Ah, the unvarnished truths I harbor!"&lt;br /&gt;&lt;br /&gt;--Jorge Luis Borges, with Norman Thomas di Giovanni&lt;br /&gt;&lt;br /&gt;in "An Autobiographical Essay"&lt;br /&gt;in &lt;span style="font-style:italic;"&gt;The Aleph and other stories (1933-1969)&lt;/span&gt;&lt;br /&gt;[New York: Bantam Books, 1971]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115522492620629551?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115522492620629551/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115522492620629551&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115522492620629551'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115522492620629551'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/08/from-borges-people-have-been.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115352947108997681</id><published>2006-07-21T19:49:00.000-05:00</published><updated>2006-08-08T18:03:14.523-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 40&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective dramaturgies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;br /&gt;bombing our way to an "endurable" peace&lt;br /&gt;retelling the tales of bygone wars&lt;br /&gt;seeing what might be learned there&lt;br /&gt;measuring the manatee&lt;br /&gt;&lt;br /&gt;41.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115352947108997681?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115352947108997681/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115352947108997681&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115352947108997681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115352947108997681'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/07/works-in-progress-40-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-115340424353301906</id><published>2006-07-20T08:46:00.000-05:00</published><updated>2006-07-20T09:04:03.573-05:00</updated><title type='text'></title><content type='html'>&lt;a href="http://photos1.blogger.com/blogger/4258/337/1600/IMG_2877_1.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/4258/337/320/IMG_2877_1.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-115340424353301906?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/115340424353301906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=115340424353301906&amp;isPopup=true' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115340424353301906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/115340424353301906'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/07/blog-post.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114926391537522430</id><published>2006-06-02T10:58:00.000-05:00</published><updated>2006-06-07T11:21:23.563-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 39&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more effective dramaturgies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to reunionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census-takers&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring funds to overshore accounts&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter and Paul to pay Mark and Luke&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;forgetting that old Underwood we once loved&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the Gulf to its pre-US condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;br /&gt;reducing light pollution in our major cities&lt;br /&gt;rescuing the castaways&lt;br /&gt;creating unwanted database gaps&lt;br /&gt;accommodating carbon dating to Biblical truth&lt;br /&gt;&lt;br /&gt;40.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114926391537522430?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114926391537522430/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114926391537522430&amp;isPopup=true' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114926391537522430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114926391537522430'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/06/works-in-progress-39-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114779950060246026</id><published>2006-05-16T12:00:00.000-05:00</published><updated>2006-05-17T16:49:10.856-05:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 7 &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Reflection on the Atomic Bomb&lt;br /&gt;&lt;br /&gt;They asked me what I thought of the atomic bomb. I said I had not been able to take any interest in it.&lt;br /&gt;&lt;br /&gt;I like to read detective and mystery stories, I never get enough of them but whenever one of them is or was about death rays and atomic bombs I never could read them. What is the use, if they are really as destructive as all that there is nothing left and if there is nothing there is nobody to be interested and nothing to be interested about. If they are not as destructive as all that then they are just a little more or less destructive than other things and that means that in spite of all destruction there are always lots left on this earth to be interested or to be interesting and the thing that destroys is just one of the things that concerns the people inventing it or the people shooting it off, but really nobody else can do anything about it so you have to just live along like always, so you see the atomic (bomb) is not at all interesting, not any more interesting than any other machine, and machines are only interesting in being invented or in what they do, so why be interested. I never could take any interest in the atomic bomb, I just couldnt any more than in everybody's secret weapon. That it has to be secret makes it dull and meaningless. Sure it will destroy a lot and kill a lot, but it's the living that are interesting not the way of killing them, because if there were not a lot left living how could there be any interest in destruction. Alright, that is the way I feel about it. They think they are interested about the atomic bomb but they really are not not any more than I am. Really not. They may be a little scared, there is so much to be scared of so what is the used of bothering to be scared, and if you are not scared the atomic bomb is not interesting.&lt;br /&gt;&lt;br /&gt;Everybody gets so much information all day long that they lose their common sense. They listen so much that they forget to be natural. This is a nice story.&lt;br /&gt;&lt;br /&gt;--Gertrude Stein (1945-46)&lt;br /&gt;&lt;br /&gt;in &lt;span style="font-style:italic;"&gt;Gertrude Stein: Writings 1932-1946&lt;span &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;[New York: Library of America, 1998]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114779950060246026?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114779950060246026/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114779950060246026&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114779950060246026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114779950060246026'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/05/paragraphs-from-stein-7-reflection-on.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114666727396715915</id><published>2006-05-03T09:33:00.000-05:00</published><updated>2006-05-03T09:41:13.983-05:00</updated><title type='text'></title><content type='html'>Works in Progress, 38&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing more ineffective strategies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our wardheelers&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for gerontocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;trying not to think about elephants&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading plutocracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Gen. Peter Pace to pay J. Paul Bremer&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;br /&gt;restoring the US to its pre-Gulf War condition&lt;br /&gt;adminstering flu shots to every chicken in every pot&lt;br /&gt;studying studies on the results of previous studies&lt;br /&gt;reducing the pulse of alien shadows&lt;br /&gt;&lt;br /&gt;39.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114666727396715915?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114666727396715915/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114666727396715915&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114666727396715915'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114666727396715915'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/05/works-in-progress-38-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114417880788876306</id><published>2006-04-04T14:25:00.000-05:00</published><updated>2006-04-04T14:26:47.900-05:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #39&lt;br /&gt;&lt;br /&gt;warblers came from&lt;br /&gt;sliding door, fully shut&lt;br /&gt;paper crest design&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114417880788876306?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114417880788876306/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114417880788876306&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114417880788876306'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114417880788876306'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/04/poems-from-book-of-nanoseconds-39.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114381232423129272</id><published>2006-03-31T07:28:00.000-06:00</published><updated>2006-03-31T17:29:14.700-06:00</updated><title type='text'></title><content type='html'>RIP Stanislaw Lem&lt;br /&gt;&lt;br /&gt;One day Trurl the constructor put together a machine that could create anything starting with &lt;span style="font-style: italic;"&gt;n&lt;/span&gt;. When it was ready, he tried it out, ordering it to make needles, then nankeens and negligess, which it did, then nail the lot to narghiles filled with nepenthe and numberous other narcotics. The machine carried out his instruction to the letter. Still not completely sure of its ability, he had it produce, one after the other, nimbuses, noodles, nuclei, neutrons, napththa, noses, nymphs, naiads, and natrium. This last it could not do, and Trurl, considerable irritated, demanded an explanation.&lt;br /&gt;&lt;br /&gt;"Never heard of it," said the machine.&lt;br /&gt;&lt;br /&gt;"What? But it's only sodium. You know, the metal, the element . . ."&lt;br /&gt;&lt;br /&gt;"Sodium starts with an &lt;span style="font-style: italic;"&gt;s&lt;/span&gt;, and I work only in &lt;span style="font-style: italic;"&gt;n&lt;/span&gt;."&lt;br /&gt;&lt;br /&gt;"But in Latin it's natrium."&lt;br /&gt;&lt;br /&gt;"Look, old boy," said the machine, "if I could do everything starting with &lt;span style="font-style: italic;"&gt;n&lt;/span&gt; in every possible language, I'd be a Machine That Could Do Everything in the Whole Alphabet, since any item you care to mention undoubtedly starts with &lt;span style="font-style: italic;"&gt;n&lt;/span&gt; in one foreign language or another. It's not that easy. I can't go beyond what you programmed. So no sodium&lt;span style="font-style: italic;"&gt;."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;--Stanislaw Lem (1921-2006)&lt;br /&gt;&lt;br /&gt;fr. "How the World Was Saved"&lt;br /&gt;in &lt;span style="font-style: italic;"&gt;The Cyberiad&lt;/span&gt;, c. 1980&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114381232423129272?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114381232423129272/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114381232423129272&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114381232423129272'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114381232423129272'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/rip-stanislaw-lem-one-day-trurl.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114364078195896111</id><published>2006-03-29T07:51:00.000-06:00</published><updated>2006-03-29T07:59:41.963-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 37&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering pothole-sized cars around&lt;br /&gt;designing strategic illegalities &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the undead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing St. Peter to pay J. Paul Bremer&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;br /&gt;keeping an eye on the military-industrial complex&lt;br /&gt;reseeding the lawn for the nth and final time&lt;br /&gt;staking out claims on the future&lt;br /&gt;moving the party toward a more radical center&lt;br /&gt;&lt;br /&gt;38.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114364078195896111?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114364078195896111/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114364078195896111&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114364078195896111'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114364078195896111'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/works-in-progress-37-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114363994763395076</id><published>2006-03-29T07:45:00.000-06:00</published><updated>2006-03-29T07:45:47.646-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #38&lt;br /&gt;&lt;br /&gt;devoid of worry&lt;br /&gt;at nineteen&lt;br /&gt;capable young man&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114363994763395076?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114363994763395076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114363994763395076&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114363994763395076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114363994763395076'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/poems-from-book-of-nanoseconds-38_29.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114304258552871112</id><published>2006-03-22T09:38:00.000-06:00</published><updated>2006-03-22T09:49:45.580-06:00</updated><title type='text'></title><content type='html'>"What was it that made things go wrong? The rooster that woke me up at dawn so that I was tired and careless? Being concerned about Tim and Tina, snoring away on the kitchen floor when they should have been running around? That rock Johnny bowled across the lawn onto the cellar-door? It gave me such a start! The weather was getting stormy (should have known what was coming from that rosy-fingered dawn!), and things do turn whenever that happens. Charles said it was the fault of ghosts, no point trying to stop them--of course he &lt;span style="font-style: italic;"&gt;would&lt;/span&gt; say that: he's the one who claimed a single spoonful of cream wasn't enough, there ought to be half a dozen at least. Then Johnny snitched my bread for his snack--didn't leave any more than he took, the rascal! Whatever, I'm not serving this soup to anyone.&lt;br /&gt;&lt;br /&gt;"Maybe &lt;span style="font-style: italic;"&gt;all&lt;/span&gt; these things were responsible. But my bet is it was the poodles. You can't cook properly with them around. Not because they're poodles, naturally. They happen to be a race I adore."&lt;br /&gt;&lt;br /&gt;--Harry Mathews&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Selected Declarations of Dependence&lt;/span&gt;&lt;br /&gt;[Los Angeles: Sun &amp;amp; Moon Press, 1996]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114304258552871112?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114304258552871112/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114304258552871112&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114304258552871112'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114304258552871112'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/what-was-it-that-made-things-go-wrong.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114178836799273055</id><published>2006-03-07T21:15:00.000-06:00</published><updated>2006-03-07T21:26:08.006-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 36&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering car-sized potholes around&lt;br /&gt;designing strategic legalities &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering well until after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;counting the dead&lt;br /&gt;waiting for them to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and unbeliefs&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;chipping ice from the windshield of the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing St. Peter to pay J. Paul Bremer&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;br /&gt;telling civil war from your garden-variety insurgency&lt;br /&gt;recognizing our deepest needs, wants, and wishes&lt;br /&gt;finally getting that poodle to the groomer&lt;br /&gt;learning to live on self-serve island&lt;br /&gt;&lt;br /&gt;37.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114178836799273055?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114178836799273055/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114178836799273055&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114178836799273055'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114178836799273055'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/works-in-progress-36-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114157416870568694</id><published>2006-03-05T09:30:00.000-06:00</published><updated>2006-03-06T18:39:22.050-06:00</updated><title type='text'></title><content type='html'>XXIV. Why the Italian princes have lost their states&lt;br /&gt;&lt;br /&gt;. . . The actions of a new prince attract much more attention that those of a hereditary ruler; and when these actions are marked by prowess they, far more than royal blood, win men over and capture their allegiance. This is because men are won over by the present far more than by the past; and when they decide that what is being done here and now is good, they content themselves with that and do not go looking for anything else. Indeed in that case they would do anything to defend their prince, provided he himself is not deficient in other things. Thus the new prince will have a twofold glory, in having founded a new state and in having adorned and strengthened it with good laws, sound defences, reliable allies, and inspiring leadership, just as the one who is born a prince and loses his state through incompetence is shamed twice over.&lt;br /&gt;&lt;br /&gt;Let us consider those Italian rulers, such as the king of Naples, the duke of Milan, and so forth who have lost their states in our own times. If we do so, we shall find that they shared, first, a common weakness in regard to their military organization. . . . Then, it will be found that some of them incurred the hostility of the people or, if they had the people on their side, they did not know how to keep the allegiance of the nobles. If they are not undermined in one of these ways, states which are robust enough to keep an army in the field cannot be lost. Philip of Macedon (not the father of Alexander but the one who was conquered by Titus Quintius) ruled a minor dominion in comparison with the greatness of the Romans who attacked him with Greek auxiliaries. None the less, as he was a military man, who knew how to content the people and keep the allegiance of the nobles, he sustained the war against them for many years; and although at the end he lost control of some cities, he still kept his kingdom.&lt;br /&gt;&lt;br /&gt;So these princes of ours, whose power had been established many years, may not blame fortune for their losses. Their own indolence was to blame, because, having never imagined when times were quiet that they could change (and this is a common failing of mankind, never to anticipate a storm when the sea is calm), when adversity came their first thoughts were of flight and not of resistance. They hoped that the people, revolted by the outrages of the conquerer would recall them. Now this policy, when all else fails, is all to the good. But it is wrong to have neglected other precautions in that hope: we do not find men falling down just because they expect to find someone helping them up. It may not happen; and, if it does happen, it leaves you unsafe because your expedient was cowardly and not based on your own actions. The only sound, sure, and enduring methods of defence are those based on your own actions and prowess.&lt;br /&gt;&lt;br /&gt;--Niccolo Machiavelli, &lt;span style="font-style:italic;"&gt;The Prince&lt;/span&gt; (1514)&lt;br /&gt;tr. George Bull&lt;br /&gt;&lt;br /&gt;[London: Penguin Books, 1961]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114157416870568694?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114157416870568694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114157416870568694&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114157416870568694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114157416870568694'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/xxiv.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114157130133809673</id><published>2006-03-05T09:06:00.000-06:00</published><updated>2006-03-05T09:08:21.353-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #38&lt;br /&gt;&lt;br /&gt;Shortly after the new &lt;br /&gt;year, he found the &lt;br /&gt;old lady&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114157130133809673?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114157130133809673/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114157130133809673&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114157130133809673'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114157130133809673'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/03/poems-from-book-of-nanoseconds-38.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-114061810645170914</id><published>2006-02-22T08:13:00.000-06:00</published><updated>2006-02-22T08:26:45.776-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 35&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering around car-sized potholes &lt;br /&gt;designing strategic legalities &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;becoming one with the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering until well after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;naming the dead&lt;br /&gt;waiting for him to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and belongings&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;removing the snow from the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning about Putin, reading his soul&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our census&lt;br /&gt;fitting the glove to the velvet hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing St. Peter to pay J. Paul Bremer&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;br /&gt;securing the seaports&lt;br /&gt;transfiguring the night of the prom&lt;br /&gt;seeking an audience with the President&lt;br /&gt;bombing the Middle East into freedom and democracy&lt;br /&gt;&lt;br /&gt;36.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-114061810645170914?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/114061810645170914/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=114061810645170914&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114061810645170914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/114061810645170914'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/02/works-in-progress-35-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113881277405572355</id><published>2006-02-01T10:51:00.000-06:00</published><updated>2006-02-01T10:52:54.056-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #37&lt;br /&gt;&lt;br /&gt;oblivious to the cold&lt;br /&gt;in the fervor&lt;br /&gt;of his devotions&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113881277405572355?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113881277405572355/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113881277405572355&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113881277405572355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113881277405572355'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/02/poems-from-book-of-nanoseconds-37.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113881213082606488</id><published>2006-02-01T10:19:00.000-06:00</published><updated>2006-03-30T07:37:49.060-06:00</updated><title type='text'></title><content type='html'>Moyra Davey on Random Reading&lt;br /&gt;&lt;br /&gt;"So how are we to draw up those reading lists finally? I have been fascinated to note how many writers invoke chance and randomness as guiding principles in choosing their books. I am talking about Lynne Sharon Schwartz, who, citing 'the John Cage-ish principle that if randomness determines the universe it might as well determine my reading too,' spent a winter reading the Greek tragedies because she happened to find a discounted set in a mail order catalogue. I'm talking about the serendipitous findings of Virginia Woolf, the little pamphlet from a hundred years ago that she comes across in a second-hand bookshop that stops her in her tracks and rivets her to the spot. I am talking about the happenstance of Georges Perec, who, while engaged in the tedious task of arranging his bookshelves, comes upon a book he'd lost sight of and writes: 'putting off until tomorrow what you won't do today, you finally re-devour [it] lying face down on your bed.' He further speculates that in our pursuit of knowledge, 'order and disorder are in fact the same word, denoting pure chance.' And finally, I am talking about the passionate book collector uncrating his treasures after a two-year hiatus, as portrayed by Walter Benjamin in his autobiographical essay 'Unpacking My Library,' for whom 'chance and fate . . . are conspicuously present in the accustomed confusion of these book.'&lt;br /&gt;&lt;br /&gt;"Just as a bookcase full of read and unread books conjures up a portrait of the owner over time ('joggers of the memory' Perec calls them), so the books that arrest us in the present constitute a reflection of 'what we are, or what we are becoming or desire' (Schwartz). There is nothing random about that, or about any of these other seemingly random ways of coming to books, and it is from this notion that the oddly apt idea of books choosing us, rather than the other way around, seems to make sense. The idea of a book choosing the reader has to do with a permission granted. A book gives permission when it uncovers a want or a need, and in doing so asserts itself above all the hundreds of others jockeying to be read. In this way a book can become a sort of uncanny mirror held up to the reader, one that concretizes a desire in the process of becoming."&lt;br /&gt;&lt;br /&gt;--Moyra Davey&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;The Problem of Reading&lt;/span&gt;&lt;br /&gt;A Documents Book, 2003&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113881213082606488?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113881213082606488/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113881213082606488&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113881213082606488'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113881213082606488'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/02/moyra-davey-on-random-reading-so-how.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113820270984292455</id><published>2006-01-25T09:12:00.000-06:00</published><updated>2006-01-25T09:25:09.886-06:00</updated><title type='text'></title><content type='html'>Paragraphs from Stein, 6&lt;br /&gt;&lt;br /&gt;"He [Picasso] was always interested in painting as a metier, an incident that happened once is characteristic. In Paris there was an American sculptress who wished to show her canvases and sculpture at the salon. She had always shown her sculpture at the salon where she was hors concours but she did not wish to show sculpture and painting at the same salon. So she asked Miss Toklas to lend her her name for the pictures. This was done. The pictures were accepted in the name of Miss Toklas, they were in the catalogue and we had this catalogue. The evening of the vernissage Picasso was at my house. I showed him the catalogue, I said to him, here is Miss Toklas who has never painted and who has had a picture accepted at the salon. Picasso went red, he said, It's not possible, she has been painting in secret for a long time, Never I tell you, I said to him. It isn't possible, he said, not possible, the painting at the salon is bad painting, but even so if any one could paint as their first painting a picture that was accepted, well then I don't understand anything about anything. Take it easy, I said to him, no she didn't paint the picture, she only lent her name. He was still a little troubled, no, he repeated, you have to know something to paint a picture, you have to, you have to."&lt;br /&gt;&lt;br /&gt;--Gertrude Stein, "Picasso"  (1938)  tr. Alice B. Toklas&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113820270984292455?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113820270984292455/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113820270984292455&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113820270984292455'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113820270984292455'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2006/01/paragraphs-from-stein-6-he-picasso-was.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113604611262625791</id><published>2005-12-31T10:14:00.000-06:00</published><updated>2005-12-31T10:21:52.640-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 34&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering around car-sized potholes &lt;br /&gt;designing legal strategies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;feeling the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering until well after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;naming the dead&lt;br /&gt;waiting for him to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and belongings&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;removing the snow from the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning more about Purim&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our senses&lt;br /&gt;fitting the glove to the hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter to pay Paul&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;34.&lt;br /&gt;closing the books on the old year&lt;br /&gt;balancing the checkbook (first time ever)&lt;br /&gt;remembering to reshape my face (yet again)&lt;br /&gt;changing course (as always)&lt;br /&gt;&lt;br /&gt;35.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113604611262625791?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113604611262625791/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113604611262625791&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113604611262625791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113604611262625791'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/12/works-in-progress-34-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113538531968354830</id><published>2005-12-23T18:47:00.000-06:00</published><updated>2005-12-23T18:48:39.683-06:00</updated><title type='text'></title><content type='html'>Lucian to his Book&lt;br /&gt;&lt;br /&gt;These are the works of Lucian, who knew that folly is of ancient birth, and that what seems wise to some men appears ridiculous to others; there is no common judgment in men, but what you admire others will laugh at.&lt;br /&gt;&lt;br /&gt;trans. fr. the Greek&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113538531968354830?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113538531968354830/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113538531968354830&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113538531968354830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113538531968354830'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/12/lucian-to-his-book-these-are-works-of.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113397021174772498</id><published>2005-12-07T09:38:00.000-06:00</published><updated>2005-12-23T18:46:51.016-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 33&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering around car-sized potholes &lt;br /&gt;designing legal strategies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;feeling the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering until well after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;naming the dead&lt;br /&gt;waiting for him to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and belongings&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;removing the snow from the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning more about Purim&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our senses&lt;br /&gt;fitting the glove to the hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter to pay Paul&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;br /&gt;demilitarizing outer space&lt;br /&gt;completing the application and mailing it back&lt;br /&gt;reviewing our few remaining options&lt;br /&gt;showing off poetry's "extreme generosity"&lt;br /&gt;&lt;br /&gt;34.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113397021174772498?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113397021174772498/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113397021174772498&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113397021174772498'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113397021174772498'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/12/works-in-progress-33-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113384342802681956</id><published>2005-12-05T22:28:00.000-06:00</published><updated>2005-12-05T22:30:28.036-06:00</updated><title type='text'></title><content type='html'>Poems from the Book of Nanoseconds, #36&lt;br /&gt;&lt;br /&gt;she burst out laughing, fully aware of &lt;br /&gt;his background--something&lt;br /&gt;intangible, yet quite apparent&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113384342802681956?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113384342802681956/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113384342802681956&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113384342802681956'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113384342802681956'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/12/poems-from-book-of-nanoseconds-36-she.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113328272320542770</id><published>2005-11-29T10:41:00.000-06:00</published><updated>2005-11-29T10:45:23.216-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 32&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering around car-sized potholes &lt;br /&gt;designing legal strategies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;feeling the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering until well after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;naming the dead&lt;br /&gt;waiting for him to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and belongings&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;removing the snow from the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning more about Purim&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our senses&lt;br /&gt;fitting the glove to the hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;br /&gt;robbing Peter to pay Paul&lt;br /&gt;waking up to a brand-new day&lt;br /&gt;overcoming inertia and ignorance&lt;br /&gt;forgetting that old Underwood we used to love&lt;br /&gt;&lt;br /&gt;33.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113328272320542770?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113328272320542770/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113328272320542770&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113328272320542770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113328272320542770'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/11/works-in-progress-32-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113241161169641900</id><published>2005-11-19T08:39:00.000-06:00</published><updated>2005-11-19T08:48:14.340-06:00</updated><title type='text'></title><content type='html'>&lt;div style="text-align: justify;"&gt;Paragraphs from Stein, 5&lt;br /&gt;&lt;br /&gt;"Once upon a time there was a garden. It was an old garden and everybody who had ever been in it had been religious. In their way they had been religious. Even so there had been families. And this family as a history of the family had been famous. That is to say as the town knew about itself it learned to know about them. Not that in a way they were important. In a kind of way they were of no importance of no importance at all but they had come to be known to be of enough important that they were important anywhere. As I said there were eight of them, four brothers and four sisters. The four sisters and three brothers exactly resembled the eldest brother and the mother. But of course this is not possible. It is foolish to think such a thing is possible since there was only two years difference between every brother and every sister until the youngest. And he was to be a priest."&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;--Gertrude Stein&lt;br /&gt;&lt;br /&gt;fr. &lt;span style="font-style: italic;"&gt;Blood on the Dining-Room Floor: A Murder Mystery&lt;/span&gt;&lt;br /&gt;[Berkeley, California: Creative Arts Book Company, 1982]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113241161169641900?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113241161169641900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113241161169641900&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113241161169641900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113241161169641900'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/11/paragraphs-from-stein-5-once-upon-time.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113215264041518128</id><published>2005-11-16T08:49:00.000-06:00</published><updated>2005-11-16T08:50:40.426-06:00</updated><title type='text'></title><content type='html'>Fragments from Thoreau, 8&lt;br /&gt;&lt;br /&gt;long distance round&lt;br /&gt;neck of a peninsula&lt;br /&gt;where the moose had stood&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113215264041518128?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113215264041518128/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113215264041518128&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113215264041518128'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113215264041518128'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/11/fragments-from-thoreau-8-long-distance.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-6391377.post-113068594163949712</id><published>2005-10-30T09:19:00.000-06:00</published><updated>2005-10-30T09:41:39.130-06:00</updated><title type='text'></title><content type='html'>Works in Progress, 31&lt;br /&gt;&lt;br /&gt;1.&lt;br /&gt;maneuvering around car-sized potholes &lt;br /&gt;designing legal strategies &lt;br /&gt;speaking solely in terms of racial justice&lt;br /&gt;examining burial pits and naked skulls&lt;br /&gt;&lt;br /&gt;2.&lt;br /&gt;sticking to issues that directly affect them&lt;br /&gt;bemoaning the cautiousness of today's athletes&lt;br /&gt;co-opting the arguments of their opposition&lt;br /&gt;tracking Latino immigrants at the border&lt;br /&gt;&lt;br /&gt;3.&lt;br /&gt;supporting any effort to unionize&lt;br /&gt;failing to generate meaningful responses&lt;br /&gt;feeling the centipede in oneself&lt;br /&gt;getting some good poems out of it&lt;br /&gt;&lt;br /&gt;4.&lt;br /&gt;rewriting the country's labor laws&lt;br /&gt;seeing a psychic map of our obsessions&lt;br /&gt;building electoral coalitions that will win&lt;br /&gt;emphasizing the overlapping interests of the affluent&lt;br /&gt;&lt;br /&gt;5.&lt;br /&gt;slumbering until well after nightfall&lt;br /&gt;setting this brain of mine afire&lt;br /&gt;reaching irritably after fact &amp; reason&lt;br /&gt;shunning easy consolations&lt;br /&gt;&lt;br /&gt;6.&lt;br /&gt;subsidizing extinction industries&lt;br /&gt;helping women victimized by male violence&lt;br /&gt;doubling the sign-up bonus for volunteers&lt;br /&gt;supporting the troops while doubting the war&lt;br /&gt;&lt;br /&gt;7.&lt;br /&gt;naming the dead&lt;br /&gt;waiting for him to break silence&lt;br /&gt;descending the steeps of the soughing twilight&lt;br /&gt;assimilating foreign cultures&lt;br /&gt;&lt;br /&gt;8.&lt;br /&gt;freeing the slaves&lt;br /&gt;admonishing those who do evil&lt;br /&gt;stamping out political brushfires&lt;br /&gt;democratizing the US&lt;br /&gt;&lt;br /&gt;9.&lt;br /&gt;getting in touch with the cable guys&lt;br /&gt;swinging the birches&lt;br /&gt;testing the waters&lt;br /&gt;pushing radical music agendas&lt;br /&gt;&lt;br /&gt;10.&lt;br /&gt;getting out the vote&lt;br /&gt;fetching water from the well&lt;br /&gt;educating the masses&lt;br /&gt;confessing to our personal demons&lt;br /&gt;&lt;br /&gt;11.&lt;br /&gt;clearing minefields from past wars&lt;br /&gt;laying them for wars yet to come&lt;br /&gt;staying executions, pardoning the innocent&lt;br /&gt;blurring the boundaries, the borders&lt;br /&gt;&lt;br /&gt;12.&lt;br /&gt;reading maps in the dark with the top light off&lt;br /&gt;folding them all back up rightly&lt;br /&gt;cramming them into the glove compartment&lt;br /&gt;getting moving again in the right direction&lt;br /&gt;&lt;br /&gt;13.&lt;br /&gt;cooling our heels&lt;br /&gt;voting early and often&lt;br /&gt;keeping our fingers crossed&lt;br /&gt;paying full-price for our journey&lt;br /&gt;&lt;br /&gt;14.&lt;br /&gt;assembling a glossary of oft-used phrases&lt;br /&gt;keeping silent while the tea is poured&lt;br /&gt;maintaining an inventory of our beliefs and belongings&lt;br /&gt;finding time to clean up around the house&lt;br /&gt;&lt;br /&gt;15.&lt;br /&gt;making the world safe for plutocracy&lt;br /&gt;clearing the minefields and cow pastures&lt;br /&gt;converting analog files to digital&lt;br /&gt;rereading An Anatomy of Melancholy&lt;br /&gt;&lt;br /&gt;16.&lt;br /&gt;fighting the high cost of prescription meditations&lt;br /&gt;comparing the works of Proust, Gide, and Sartre&lt;br /&gt;putting something aside for a rainy day&lt;br /&gt;asking for another user's name and password&lt;br /&gt;&lt;br /&gt;17.&lt;br /&gt;scanning the shelves for news&lt;br /&gt;cleaning up after the latest tsunami&lt;br /&gt;taking care of our parents&lt;br /&gt;looking forward to end-of-life decisions&lt;br /&gt;&lt;br /&gt;18.&lt;br /&gt;reassessing works already completed&lt;br /&gt;exterminating the brutes&lt;br /&gt;removing the snow from the car&lt;br /&gt;rebuilding the old road from Fredrikstad to Skjeberg&lt;br /&gt;&lt;br /&gt;19.&lt;br /&gt;getting more bang for the buck&lt;br /&gt;setting something aside for that rainy day&lt;br /&gt;worry about what to really worry about&lt;br /&gt;getting back to the Bang, the Big One&lt;br /&gt;&lt;br /&gt;20.&lt;br /&gt;teaching the Chinese how to speak English&lt;br /&gt;learning more about Purim&lt;br /&gt;cashing in on Homeland Security&lt;br /&gt;making that list of things to make lists of&lt;br /&gt;&lt;br /&gt;21.&lt;br /&gt;deciding whether or not to escape to Canada&lt;br /&gt;enhancing revenue without raising taxes&lt;br /&gt;learning more about hematology&lt;br /&gt;mapping talk-free zones in public parks&lt;br /&gt;&lt;br /&gt;22.&lt;br /&gt;making the punishment fit the criminal&lt;br /&gt;recovering our senses&lt;br /&gt;fitting the glove to the hand&lt;br /&gt;dialing for (four) dollars&lt;br /&gt;&lt;br /&gt;23.&lt;br /&gt;laying mines at the Prose/Poetry border&lt;br /&gt;celebrating the rebirth of death&lt;br /&gt;transferring data from www.blogger.com&lt;br /&gt;counting the years from start to finish&lt;br /&gt;&lt;br /&gt;24.&lt;br /&gt;unpacking after the last long/short journey&lt;br /&gt;saying goodbye to the dead&lt;br /&gt;finding trusty pocket tools for indoor use&lt;br /&gt;pleasing others in letters&lt;br /&gt;&lt;br /&gt;25.&lt;br /&gt;recouping ancient losses&lt;br /&gt;moving data from there to over here&lt;br /&gt;scanning the text as rapidly as possible&lt;br /&gt;keeping Kandinsky in mind&lt;br /&gt;&lt;br /&gt;26.&lt;br /&gt;replacing old maps with new ones&lt;br /&gt;preparing the cat for summer camp&lt;br /&gt;paying the bills in advance&lt;br /&gt;brushing up on our Spanish&lt;br /&gt;&lt;br /&gt;27.&lt;br /&gt;stealing stones from the temple&lt;br /&gt;building a nearby church&lt;br /&gt;stealing stones from the church&lt;br /&gt;building a nearby bank&lt;br /&gt;&lt;br /&gt;28.&lt;br /&gt;filling the sandbags&lt;br /&gt;repairing the levee&lt;br /&gt;spreading democracy around the world&lt;br /&gt;counting and bagging the dead&lt;br /&gt;&lt;br /&gt;29.&lt;br /&gt;cleaning up after Rita, Katrina&lt;br /&gt;remembering we must pay our bills&lt;br /&gt;washing windows of opportunity&lt;br /&gt;trying to find the snows of yesteryear&lt;br /&gt;&lt;br /&gt;30.&lt;br /&gt;covering up the latest cover-up&lt;br /&gt;rereading all we've reread as of now&lt;br /&gt;reviewing the plays of Pinter, their silences&lt;br /&gt;uncovering the cover-up of the cover-up&lt;br /&gt;&lt;br /&gt;31.&lt;br /&gt;comparing apples to orangutans&lt;br /&gt;criminalizing conservative politics&lt;br /&gt;finding new ways to profit from disasters&lt;br /&gt;rescuing painting from the dead end of Pop Art&lt;br /&gt;&lt;br /&gt;32.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6391377-113068594163949712?l=entropyandme.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://entropyandme.blogspot.com/feeds/113068594163949712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=6391377&amp;postID=113068594163949712&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113068594163949712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/6391377/posts/default/113068594163949712'/><link rel='alternate' type='text/html' href='http://entropyandme.blogspot.com/2005/10/works-in-progress-31-1.html' title=''/><author><name>Halvard Johnson</name><uri>http://www.blogger.com/profile/01464580122014170701</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/-EflXnf2eNgY/TnQlZjzYudI/AAAAAAAAA_Y/qNYsP33Kt3s/s1600/photo.jpg%253Fsz%253D200'/></author><thr:total>0</thr:total></entry></feed>
